Vintage Guitars Sweden

Levin W-30

Levin W-30 Made in Sweden 1979
Levin W-30, Made in Sweden in 1979

Sometimes I feel like a recovering Levin-oholic who keeps falling off the wagon time after time. I promised myself, and my wife to stop buying Levin guitars but just seems to be unable to. I recently found this beautiful and very unique Levin W-30 in Sweden that I couldn’t resist and had to buy. Now I’ve realised that I probably shouldn’t have. I’m running out of wall space for guitars and I could do with the money for other more pressing family related things, apparently guitars is not a high priority in the joint family account. Therefore I’ve decided to put it up for sale. I believe this guitar to be a rare one off, most likely built by one of the Levin builders for himself and outside of the normal production. They stopped making the Levin W-30 in 1975 so that’s the first sign that this is a unique one. The previous owner bought a lot of parts, material and finished guitars when the Levin factory closed down in 1979, well actually an old man called Friis did, who had a music shop in the north of Sweden and when he died and closed his shop the previous owner bought parts of his left-over Levin stock and this guitar was one of them. He claims that it was built in 1979, otherwise it wouldn’t have been around when the factory closed, which makes perfect sense. The original Levin W-30 came with block inlays while this has beautiful snowflake inlays in the bound ebony fingerboard instead. The alpine spruce top and the rosewood back and sides are bound with a five layer wood binding which looks really classy. It’s also treated with a thin layer of lacquer instead of the heavy clear coat that the mid 1970’s Levin W-30 came with. That gives a really open and beautiful sound, very Martin like. The guitar is in very good state but has some small marks around the body. The neck is in perfect condition and so is the frets. The spruce top has had a dry crack professionally repaired, these type of cracks are very common on Levin guitars because of the dry winters in Sweden. The guitar is equipped with an under saddle pickup and ready to play with live. This is a unique 40 years old hand built Swedish guitar for a third of what a vintage Martin would cost.

Levin W-30 Made in Sweden 1979

Levin W-30
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top with 5-ply bound wood binding and 4-ply bound three-piece rosewood back. Mahogany neck with adjustable truss rod. Bound ebony fingerboard with snowflake inlays. Bone nut and saddle. Nickel plated individual Levin stamped tuners. Ebony bridge, natural finish and ten year warranty

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October 11, 2017

Levin

I made a post about my Levin guitars back in 2011 when I started to collect them but it feels like it’s time for an update. Here they are:

Levin Model 3 Made in Sweden 1914

Goya F-11 Made in Sweden by Levin in 1963

Rondo Model 29 Made in Sweden by Levin in 1960

Levin LT-14 / Goya T-14 Made in Sweden 1965 Levin LT-14 Made in Sweden 1965

Levin LT-16 Made in Sweden 1966

Levin Goya T-16 Made in Sweden 1965
Goya T-16 Made in Sweden by Levin in 1965

Goya T-16, made in Sweden by Levin in 1966
Goya T-16 Made in Sweden by Levin in 1966

Levin LS-16 Made in Sweden 1963 Levin LS-16 Made in Sweden in 1963

Levin LS-18 Made in Sweden 1960

Levin LT-18 Made in Sweden 1963

Levin LT-18 Made in Sweden 1966

Levin LT-18 Made in Sweden 1965

Levin LS/LT-18 Made in Sweden 1965

Levin LT-18 Made in Sweden 1968

Levin Goya T-18 Made in Sweden 1966 Goya T-18 Made in Sweden by Levin 1966

Levin Goya T-23 Made in Sweden 1966

Levin LM-26 1959 Levin LM-26 Made in Sweden 1959

Levin LM-26 Made in Sweden 1959

Levin LM-26 Made in Sweden 1963

Levin Goya 172 Made in Sweden 1970 Goya GG-172 Made in Sweden by Levin 1970

Levin Goya 163 Made in Sweden 1968 #307008 Goya Model 163 Made in Sweden by Levin 1968

Levin Model 174 Made in Sweden 1972

Levin Model 3 Royal made in Sweden 1951

These Levin guitars used to be a part of my collection but I had to sell them to make space for other Levin guitars:

Levin Model 32 made in Sweden in 1946

Levin Model 65 parlour guitar Made in Sweden 1942

Levin Model 13 Ambassadör Made in Sweden 1950

3 Comments

May 24, 2017

Levin LM-26

Levin LM-26, Made in Sweden in 1959

In the end of March, about 2-3 weeks after I bought the 1963 Levin LM-26, I was offered a 1959 Levin LM-26 that I couldn’t resist, even though I already had one from that year. The seller Ian was quite persistent that I added his guitar, that he had owned since his 14th birthday in 1976, to my Levin collection so I of course complied. The guitar has been used playing anything from jazz, Mississippi blues to Celtic folk and now country, read Ian’s guitar history. Now I have one Levin LM-26 built in 1963 and two from 1959, well they actually both has a body stamped in 1958 but with a 1959 neck, not sure if they did a lot of bodies one year and necks the next. I have some Levin LT-18 that has a Goya serial number stamped inside and a completely different Levin serial number on the head, I guess these things happens at a guitar factory. This 1959 Levin LM-26 seems to be completely original, it even has the cheap looking machine heads that Levin used in the late 1950’s on the LM-series. On my other 1959 Levin LM-26 the machine heads were replaced by open back Grover’s by the second owner back in 1965 and I think I might have to do the same on this one. I like the ones they used on the Levin LS-18 at the time, they are rounder and look more Gibson like, these square ones look like something from an Egmond or a kids guitar. The guitar plays really nicely and sounds great, really full and warm as could be expected of an all solid Swedish built guitar from the late 1950’s.

Levin LM-26 / Goya M-26
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Metal truss rod cover with a star and “1900”, nickel plated tuners
Single-bound rosewood fingerboard with centred pearl dot inlay, rosewood bridge
Sunburst finish and ten year warranty

Marketed by U.K. distributors as Goliath Model 1795

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March 24, 2017

Levin LM-26

Levin LM-26, Made in Sweden in 1963

Two weeks ago I got myself another Levin LM-26. My previous one was built in 1958/59 and feels a bit fragile, it is also in a pretty good state for taking out gigging. So this 1963 Levin LM-26 felt perfect to fit a LR Bagg M1A in and take out and enjoy on stage. Guitars are meant to be used and played, even vintage ones, so in a way I would be happy to take any of my Levin’s out of the house. It’s just that some of them feels a bit too well kept for the dangers of having them in bars around drunk people, and myself slightly intoxicated hitting them harder than I should because I play with a loud band and can’t hear myself properly and such, you all know how it is. Anyway, now I have a great backup acoustic for playing live and I was missing something in sunburst to match the Claescaster I put together four years ago.

I had to do the normal work to it, reset the neck by sanding down the heel. Fill all the dents and marks on the back of the neck with Nitro lacquer and then sand it smooth. Take the machine heads apart and clean them properly before I greased them up and put them back on. Cut a new bone saddle and then paint both the saddle and nut to match Levin’s original squirrel coloured Galalith parts. Polish frets, clean and oil the fretboard and then a general good clean of the whole guitar. If you want see pictures of any of this than have a look at how I restored the old Levin LM-26.

Marketed by U.K. distributors as Goliath Model 1795

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January 27, 2017

Levin Model 3

Levin Model 3 Parlour Made in Sweden 1914

In the year of our Lord 1914 a terrible war broke out in Europe, at the same time this beautiful guitar was made in Sweden. I finally found myself an old Levin parlour, a 1914 Levin Model 3. When I sold the Levin Model 65 back in December I promised myself to find another Levin parlour, but older, and nicer. I did, it took 10 days. I was super lucky and managed to win this Model 3 on an auction the day before Christmas, perhaps that’s why the competition wasn’t so fierce. It’s in pretty decent original shape for being 103 years old, no real damage to it. It looks like the back has been removed and glued back at some point so I guess someone has re-glued some lose braces. I can’t see any signs of a neck reset but since it’s so playable after 100 years I assume that someone has done that too. I love the original machine heads with their bone buttons and the brass medallion on the back of the head is just beautiful. It sounds way better than I expected. I’ve had a couple of early German parlours at home and they have sound very thin, weak and boxy somehow. This Levin is loud, clear and warm at the same time, even though it’s ladder braced. For being one of Levin’s cheapest models I think it’s an amazing guitar and it looks stunning in it’s simplicity.

The back and sides are made of birch that is painted to look like Brazilian rosewood. I would have preferred the real deal but I guess it was both expensive and hard to come by exotic woods at the time.

Levin Model 3
Body width: 315 mm, length: 460 mm, depth: 78 mm
Spruce top with ladder bracing, birch back and sides
Unbound walnut fingerboard with mother-of-pearl dot inlay
Triple wood bound top, unbound back and headstock
Brass frets, brass tuners, pyramid bridge, bridge pins and strap button with mother-of-pearl inlay. Rosewood finished back and sides with an orange finished top.

Introduced circa 1900

The stamp on the right side is from Frälsningsarmén, The Salvation Army in Stockholm. I assume a lot of songs about Jesus has been played on this guitar over the years.

The old Levin factory on Norra Larmgatan 4 in Gothenburg, Sweden, around 1920. Taken from Vintage Guitars Sweden

6 Comments

July 7, 2016

Goya F-11

Goya F-11, made in Sweden by Levin in 1963

Back in May I bought a 1963 Goya F-11 from a pawn shop San Diego, California. It’s my 18th Levin so far but my first steel stringed classical guitar, or it’s actually more of a Flamenco shape than a normal Spanish guitar. It’s an awesome little finger picker with a wide nut and pretty small body, very comfortable to play in the sofa. The sound is very different, I guess because it’s a steel stringed but fan braced and built like a classical guitar. These type of guitars got really popular in the mid 1960’s during the folk boom in the US and Levin built quite a few under the Goya brand to compete with the Gibson F-25 and other concert sized steel stringed folk guitars of the time. I have never played anything like this before and really like it, even though it doesn’t sound as good as a Goya T-16 for chord playing, it has something almost ladder braced like in the sound that makes it pretty unique.

levin-goya-f-11-1 A 1963 Goya F-11, worn, bruised and beaten but still very beautiful, I love the flamed back. It’s fun that half the logo has been removed to read Joy instead of Goya.

Goya F-11
Concert size: Body width: 360 mm, body length: 465 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top with fan bracing, birch back and sides, 4-ply bound top, unbound back. Mahogany neck with non-adjustable T-shaped duraluminum truss rod. Unbound rosewood fingerboard with pearl dot inlay. Rosewood bridge, double pickguards and nickel plated strip tuners. Matte natural finish

Taken from a 1964 Goya catalogue

May 17, 2016

Goya T-16

Goya T-16, made in Sweden by Levin in 1966

I found another Goya T-16 that I couldn’t resist. I’m not sure why I love these so much, if it’s the sound, shape or the fact that my dad’s old Levin LT-16 was my first guitar. This one seems to have had a crack in the lower bout on the bottom side and when that was fixed they gave the side a light burst to cover it and then lacquered the whole guitar. Back in the 1960’s when these guitars left the factory in Sweden, the Levin LT-16 came with a really nice satin finish and the Goya T-16 with a high gloss that cracked over time. The previous Goya T-16 was sanded down and this one had an extra coat of lacquer so I guess people weren’t entirely happy with the finish on these. They both sounds very different, the old one sounds more woody and dry and this one has a clearer snappier sound, I presume because of the lacquer. I really like the look of the top, more orange and pre-war Martin looking than the normal Goya T-16.

I bought this 1966 Goya T-16 from an eBay seller in Illinois but I guess it first landed at Lynn’s Guitars in Knoxville Tennessee when it came from Sweden in the 1960’s.

Levin LT-16 / Goya T-16
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top, mahogany back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Single-bound rosewood fingerboard with bass side pearloid dot inlay. Rosewood bridge, nickel plated individual Van Gent tuners with metal buttons. Matte natural finish and ten year warranty

I removed the bridge and pickguard, scraped of the lacquer and then re-glued them. I also adjusted the neck angle by removing the bolts inside and then sanded down the heel a bit with a sandpaper, just like I did on the old Goya T-16.

The headstock had some fine cracks that I filled with fish glue and then polished up. I cut a new bone saddle that I painted to match the old Levin Galalith saddle and then I cleaned up the fretboard and polished the frets.

My collection of 000-sized Levin guitars so far, from left to right: Levin LS-16 (1963), Goya T-16 (1965), Goya T-16 (1966), Levin LT-16 (1966), Goya GG-172 (1970)

March 2, 2016

Old Levin Parlour

Taken from a 1907 Levin catalogue, thanks to Vintage Guitars Sweden

I have been trying to find a 100-years old Levin parlour for some time now, something built before 1920 and with a pin bridge. If anyone has one that they would like to sell then please get in touch, claesgellerbrink@gmail.com. I would also be interested in any guitar that came out of the greater Chicago area built by Swedish builders, like an Ideal by August Carlstedt or a Maurer or a Prairie State built by the Larson Brothers, if I could afford it. It doesn’t really matter if the guitar is playable or not.

December 31, 2015

Happy New Year!

It’s been a great year for the Levin collection. Let’s hope that 2016 will be even better. Happy New Year everyone!

Levin LT-14 (1965), Levin Goya T-16 (1965), Levin Goya T-18 (1966), Levin Goya T-23 (1966), Levin Rondo Model 29 (1960), Levin LT-16 (1966), Levin LS-16 (1963), Levin LM-26 (1959), Levin Model 65 (1942), Levin Model 13 Ambassadör (1950), Levin Model 32 (1946), Levin Model 3 Royal (1951), Levin W 12-36 (1978), Levin Goya Model GG-172 (1970), Levin Goya Model 163 (1968), Levin Model 174 (1972)

December 11, 2015

Levin LS-16

Levin LS-16 Made in Sweden in 1963

I was offered to buy a 1963 Levin LS-16 from a Swedish collector just before Christmas last year. Of course I jumped on the chance, not only is it a really rare bird, most of them were branded Goya S-16 and sent off to the US, but I had also been looking for another guitar like my dad’s old 1966 Levin LT-16 for quite a while. Unfortunately this Levin LS-16 got stuck in Sweden for a year, my mum didn’t want to send it so I couldn’t bring it back to Spain until I went back home for a funeral now in November. In the time of it’s absence I managed to find and restore a really nice sounding 1965 Goya T-16 so now I suddenly have 3 Grand Concert sized Levin guitars from the mid-60’s. Not that I complain, I really like both the sound and the playability of these guitars and this last one is probably the best sounding of all of them. According to Vintage Guitars Sweden, the most resourceful site about Levin guitars, the main difference between the Levin LS-16 and Levin LT-16 is the bracing pattern. The LS is supposed to be ladder braced but mine is X-braced just like the LT-series, I think that became standard in the early 1960’s. They also have different machine heads, dot inlays in the fretboard and I think that the LS-series have a bit more V-shaped neck profile.

Levin LS-16 / Goya S-16
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top, mahogany back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Metal Levin truss rod cover with a star and “1900”. Single-bound rosewood fingerboard with centred pearl dot inlay. Rosewood bridge, nickel plated strip tuners. Natural finish and ten year warranty

Claescaster

Tag: Vintage Guitars Sweden

May 28, 2018

Levin W-30

October 11, 2017

Levin

May 24, 2017

Levin LM-26

March 24, 2017

Levin LM-26

January 27, 2017

Levin Model 3

July 7, 2016

Goya F-11

May 17, 2016

Goya T-16

March 2, 2016

Old Levin Parlour

December 31, 2015

Happy New Year!

December 11, 2015

Levin LS-16