Finally, it took two years but now I’m at last the proud owner of a lovely Goya T-23. When I bought my first Levin back in the summer of 2013 I started to search Vintage Guitars Sweden for different models to study and learn everything I could about Levin. There was 3-4 different guitars that I fell in love with straight away, Levin LM-50 with all it’s bling, Levin De Luxe the king of archtops, Levin 174 which I later found, and of course Levin LT-23, the cowboy version of Levin LT-18. I love my 1966 Goya T-18 so I was pretty sure that this Goya T-23 would sound pretty sweet too, but it sounds even better than I could have imagined. My friend Wolf and I had a little jam last Saturday and it seems like the T-18 and T-23 were made to be played together, I will try to sort a video. I love everything about this guitar, the ebony fretboard with it’s block inlays, the flamed maple back and sides, the amazing cowboy pickguard and plastic details, the bridge shape and most of all, the sound. It has a Gibson like bass response but with a Martin like mid and treble, kind of the best of both worlds. It was well worth the wait, the next holy grail to find would be a Levin LM-50.
I haven’t done any work to this guitar yet, I bought it from a seller in Franklin, Indiana, USA and since it seemed really dry when it arrived I wanted to wait and see how it reacts to the subtropical heat of Barcelona first. Most likely I will have to sand down the heal a bit to get the action down and perhaps even remove the binding on the neck and file down the frets since the fretboard has been dry and shrunk so the frets are poking out a bit. Hopefully the humidity here will help a bit and if not I will sort this issues after the summer. It’s very playable as it is and almost in mint condition with minimal wear.
Levin LT-23 / Goya T-23
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top with X-bracing, flame maple back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Single-bound ebony fingerboard with bass side pearloid block inlay. Nickel plated individual Van Gent tuners with metal buttons. Ebony bridge, natural finish and ten year warranty
Levin catalogue from 1967. Now I finally have all four of them, the two top as Goya and the bottom two as Levin, but mine are from 1965-66 so they have a proper saddle instead of the adjustable saddle screws. Goya T-23 (1966), Goya T-18 (1966), Levin LT-16 (1966), Levin LT-14 (1965). Taken from Vintage Guitars Sweden
It arrived with the original Goya hang tag, an unused 1960’s leather strap and this awesome looking black alligator hard case that I think is original too. Taken from my Instagram