Claescaster

Tag: Goya

Claes Anderson – Anderson’s Son

Life took over and raising two kids have kept me from buying, restoring and selling guitars. Now I’ve realised that I didn’t even post about the 6 track EP I recorded last summer called Claes Anderson – Anderson’s Son. I managed to get the old trio together and book Litel.cat with Antoine for the day and we recorded six songs live. I really enjoyed the experience and the result, it felt and sounded acoustic and natural. The first four songs are the actual EP, the second two were added when I had to re-release the songs on Spotify, I had to change digital provider and didn’t want to pay twice for music that was already online. The EP has a strong family theme to it, I wrote a song for everyone in the household. The first song The Fine Lines In Between was written about my struggles to accept that you can’t take love for granted and it might not last forever. I wrote Anderson’s Son for my son Vilke when he was born and about the Anderson name. One Day You’ll Understand is about the struggles we had to have my daughter Frida. I wrote Come and Lie Down Beside Me for my wife Araceli as a wedding song when we got married back in 2014.

All songs were recorded on my 1968 Levin LT-18

Levin LS/LT-18

Levin LS/LT-18, Made in Sweden in 1965

It’s been fairly quiet here for 2-3 years and I’m terrible sorry for that, I’ve been busy trying to raise two kids and get through a pandemic. In August 2020 I turned 40-years old and bought a lovely old guitar for myself, as I sometimes do when it’s my birthday. It’s a 1965 Levin LS/LT-18 and I wished I would have had time to take pictures, record a video and write about it earlier but I just never got around to do it. This guitar is a bit odd, but as they say, anything can happen in a guitar factory. It has a LT-18 neck on a what appears to be a LS-18 body and it looks like it left the factory that way. The body has an old LS-18 label inside, just like the 1960 Levin LS-18 that I got, but the body is stamped inside with a Goya serial number for 1965, 227210, while the head is stamped with a Levin serial number from 1965, 450431. So if we move away from the fact that the body is Goya stamped and the head is Levin stamped, I have a couple of those guitars at home so that seems to have happened now and then, the big mystery is the LS-18 label. According to Vintage Guitars Sweden the Levin LS-18 was discontinued in 1963 even though the latest known example is from 1965, 451584. Did one of the old men who built the Levin guitars refuse to start building the new Levin LT-18 and just continued to build Levin LS-18 in secret for two more years? Did they have a lot of bodies and necks lying around and released a Levin LS-18 once in a while as a treat? They did open the new factory in Lessebo in 1965 so perhaps everything was a bit of a mess around that time because of the move? Either way I really like my 1965 Levin LS/LT-18, it has a lot of bass and bottom and reminds me in sound of my 1960 Levin LS-18 but with the feel of playing my 1968 Levin LT-18 which I love and use as my main guitar. I’ve always felt that my two late 1950’s Levin LM-26 sounds in one way, they are very light and airy, and my LS-18 is very bassy and woody, and my four mid-1960’s Levin LT-18 are very punchy in the mid-register and loud. The specifications are the same from year to year but it feels like they all have their differences. The best part of this Levin LS/LT-18 for me is the neck, it’s really fat and perfectly cut so it feels like this guitar was built by one of the older builders that liked things how they were in the past, no modern nonsense like thin and easily playable necks.

Levin LT-18 / Goya T-18
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound ebony fingerboard with bass side pearloid block inlay
Nickel plated individual Van Gent tuners with metal buttons
Ebony bridge, natural finish and ten year warranty

Marketed by U.K. distributors as Super Goliath Model 1855

LR Baggs Lyrics

Martin HD-28LSV 1999 Made in USAMartin HD-28LSV, Made in USA in 1999

Last week I changed the pickup in my new Martin HD-28LSV. It came with a LR Baggs Anthem SL installed which sounded good but I had a feeling that a LR Baggs Lyrics might sound even better. I’m also not a big fan of having things stuck under the saddle, when I installed the LR Baggs Anthem SL in my 1966 Goya T-16 I felt that the tone died a bit. I’m sure there might be some other pickup system out there that is even better, but for me, nothing beats the Lyrics for the dry and woody sound that I am after. Now I have the LR Baggs Lyrics system installed in my 1981 Sigma DR-41 and my 1968 Levin LT-18, my main guitar for the Claes Anderson Band. I really enjoy this new Martin HD-28LSV and will use it for our gig tonight at La Sonora de Gràcia but I think I will stick to the 1968 Levin LT-18 as my main guitar for playing live, it’s Swedish and just looks nicer on stage. Here is a quick comparison of the LR Baggs Lyrics and the LR Baggs Anthem SL.

LR Baggs Lyrics

Levin LT-18 Made in Sweden 1968Levin LT-18, Made in Sweden in 1968

I recently installed a LR Baggs Lyrics in my 1968 Levin LT-18 and I’m well pleased with the result. This has been my main guitar for the past year and I’ve already tried a LR Baggs M1A, M80 and now a Lyrics. I’ve had a LR Baggs Lyrics installed in my Japan made Sigma DR-41 for about two years but I never really use that guitar since I have so nice Levin guitars to play on. The Sigma sounds fantastic with the Lyrics so I decided to leave it there and buy a brand new one for the LT-18 instead. The LR Baggs Lyrics sounds similar to the LR Baggs M80 but better, more natural and woody. I’ve also had a lot less feedback issues with the Lyrics, the M80 has been a nightmare with a full band on stage. Here you can compare the LR Baggs M1A, M80 and Lyrics fitted in the same guitar, a 1968 Levin LT-18.

Levin guitars for sale

I need to clear some space so I’ve decided to part with the following Levin guitars, there are some other guitars for sale too. If you are not familiar with the Swedish guitar maker Levin then please click on the link. All guitars were hand built in Gothenburg Sweden and made with the finest solid tone woods. Their alpine spruce tops were one of the reasonw why C. F. Martin & Co. bought Levin in June 1973.

Levin Model 2 Parlour Made in Sweden 1914
Levin Model 3
, Made in Sweden 1914 1100€ SOLD
A beautiful all original over 100 years old Levin parlour guitar. Spruce top with ladder bracing, birch back and sides. Pyramid bridge, bone machine head buttons and real mother-of-pearl dot inlays. It’s in great shape for it’s age and sounds amazing for it’s size. Neck, fretboard and frets are fine but the action is little bit high, it could improve with lighter strings. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Goya F-11 Made in Sweden by Levin 1963
Levin Goya F-11, Made in Sweden 1963, 550€ SOLD
A typical folk guitar, fan braced and made for both nylon and steel string. It’s pretty worn but still very beautiful with it’s flamed birch back and spruce top. These type of guitars got really popular in the mid 1960’s during the folk boom in the US and Levin built quite a few under the Goya brand to compete with the Gibson F-25 and other Spanish guitar sized steel stringed folk guitars of the time. A great guitar for finger picking and very fun to play. It had a recent neck reset so the action is low. You can read more about the guitar here and listen to it in this Youtube clip.

Rondo Model 29 Made in Sweden by Levin in 1960
Rondo Model 29, Made in Sweden by Levin in 1960, 550€ SOLD
A lovely little Swedish made parlour guitar. Rondo was made by Levin for Musik AB Westin & Co, a music store and publishing company in Stockholm with a large mail order business. It looks pretty similar to a Levin 119 and was made for both steel and nylon strings, this was pretty common on smaller Levin guitars in the 1950-60’s. It’s a very nice little guitar to play and it has more volume and sounds sweeter than expected, perhaps because it’s fan braced instead of ladder braced. This guitar can’t be compared to a cheap machine made guitar like Harmony, Silvertone or Framus. The action is a bit high but would easily come down with lighter strings. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Model 32 Made in Sweden 1946
Levin Model 32, Made in Sweden 1946, 650€ SOLD
A really cool Levin archtop from the 1940’s. Hand carved Romanian spruce top with mahogany back and sides. The Levin archtops are loud and sounds almost as good as a Levin flat top guitar acoustically, you can’t compare this to any of the machine made archtops like Harmony, Silvertone or Framus. It has some damage to the side which has been glued and is now solid, but can be seen. It’s all original but has an Artec MHFC93-CR pickup installed so it’s ready to be taken out and gigged with. If you are looking for a worn old archtop that sounds amazing, well here it is. You can read more about the guitar here and listen to it in this Youtube clip.

Levin LT-14 / Goya T-14 Made in Sweden 1965
Levin LT-14, Made in Sweden 1965, 850€ SOLD
An extremely rare Levin guitar, I’ve never seen another. It’s the smallest of the 1960’s high end Levin guitars and is roughly like a Martin 00 in size. It’s an awesome guitar, pretty much like a Levin LT-16 but smaller and with a bit less bass but with more clarity in the upper register instead. It’s ladder braced instead of X-braced which gives it a perfect sound for finger picking. It has a beautiful alpine spruce top with a bit of bear claw and mahogany back and sides. The guitar is all original and incredible well-kept for being over 50-years old. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Goya 172 Made in Sweden 1970
Levin Goya Model GG-172, Made in Sweden 1970, 700€ SOLD
The Levin LT-16 if my favourite Levin shape and this is the late 1960’s Goya version with the large headstock and individual height adjustable saddles. These guitars are 38 cm wide just like a Martin 000, it’s a very nice size to play. Slightly smaller than a normal Dreadnought but with decent bass from the solid mahogany back and sides. The guitar has some wear but the neck is straight and fretboard and frets are fine. The original Van Gent machine heads are in good shape but the pickguard is a bit uneven from being badly glued in a previous life. Overall a great Levin guitar and very hard to find outside the US. You can read more about the guitar here and listen to it in this Youtube clip.

Goya Model 163 Made in Sweden 1968
Levin Goya Model 163, Made in Sweden 1968, 800€ SOLD
The classic Levin LM-26 in it’s late 1960’s Goya version with the large headstock and individual height adjustable saddles. It has a nice sunburst alpine spruce top with solid flame maple back and side. The guitar has some wear and there is a glued crack in the top but the neck is straight and fretboard and frets are fine. The original Van Gent machine heads are in good shape but the pickguard has been replaced. The sound of this Levin is very Gibson like, think Gibson J-45 from the 1960-70’s. Overall a great Levin guitar and very hard to find outside the US. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Model 174 Made in Sweden 1972
Levin Model 174, Made in Sweden 1972, 900€ SOLD
In 1969 Levin replaced it’s flagship model the Levin LT-18 with the Levin Model 174, marketed in the UK as the Super Goliath Model 1855. The Levin Model 174 still had the characteristic bass side pearloid block inlays, ebony fretboard and bridge, alpine spruce top with flamed maple back and sides, but now came with the large headstock and individual height adjustable saddles. This example of the Levin Model 174 is quite unique since it has a dovetail neck-joint instead of the usual Levin bolt-on neck system. The guitar is in great shape and sounds amazing, really deep, warm and woody, like a good Levin dreadnought should.  The original Van Gent machine heads has been replaced at some point and now it has Wilkinson WJ-309 in gold on, for that Art Deco look.  Overall a great Levin guitar and very hard to find outside the US. You can read more about the guitar here and listen to it in this Youtube clip.

Levin W-30 Made in Sweden 1979Levin W-30, Made in Sweden 1979, 900€ SOLD
A beautiful and very rare Levin, most likely the only one. Since they stopped making the Levin W-30 in 1975 I believe this to built by one of the guitar builders for himself outside of the normal production. The previous owner bought a lot of parts, material and finished guitars when the factory closed down in 1979, this was one of them. He claims that it was built in 1979, otherwise it wouldn’t have been around when the factory closed, which makes perfect sense. The original Levin W-30 came with block inlays while this has beautiful snowflake inlays in the bound ebony fingerboard instead. The alpine spruce top and the rosewood back and sides are bound with a five layer wood binding which looks really classy. It’s also treated with a thin layer of lacquer instead of the heavy clear coat that the mid 1970’s Levin W-30 came with. That gives a really open and beautiful sound, very Martin like. The guitar is in very good state but has some small marks around the body. The neck is in perfect condition and so is the frets. The spruce top has had a dry crack professionally repaired so it’s stable for another 40 years. These type of cracks are very common on Levin guitars because of the dry winters in Sweden. The guitar is equipped with an under saddle pickup and ready to play with live. This is a unique 40 years old hand built Swedish guitar for a third of what a vintage Martin would cost. You can read more about the guitar here and listen to it in this Youtube clip.

Levin

I made a post about my Levin guitars back in 2011 when I started to collect them but it feels like it’s time for an update. Here they are:

Levin Model 2 Parlour Made in Sweden 1914Levin Model 3 Made in Sweden 1914

Levin Goya F-11 Made in Sweden by Levin 1963Goya F-11 Made in Sweden by Levin in 1963

Rondo Model 29 Made in Sweden by Levin in 1960Rondo Model 29 Made in Sweden by Levin in 1960

Levin LT-14 / Goya T-14 Made in Sweden 1965Levin LT-14 Made in Sweden 1965

Levin LT-16 Made in Sweden 1966Levin LT-16 Made in Sweden 1966

Levin Goya T-16 Made in Sweden 1965
Goya T-16 Made in Sweden by Levin in 1965

Goya T-16, made in Sweden by Levin in 1966
Goya T-16 Made in Sweden by Levin in 1966

Levin LS-16 Made in Sweden 1963Levin LS-16 Made in Sweden in 1963

Levin LS-18 Made in Sweden 1960Levin LS-18 Made in Sweden 1960

Levin LT-18 Made in Sweden 1963Levin LT-18 Made in Sweden 1963

Levin LT-18 Made in Sweden 1966Levin LT-18 Made in Sweden 1966

Levin LT-18 Made in Sweden 1965

Levin LS/LT-18 Made in Sweden 1965

Levin LT-18 Made in Sweden 1968
Levin LT-18 Made in Sweden 1968

Levin Goya T-18 Made in Sweden 1966Goya T-18 Made in Sweden by Levin 1966

Levin Goya T-23 Made in Sweden 1966
Levin Goya T-23 Made in Sweden 1966

Levin LM-26 1959Levin LM-26 Made in Sweden 1959

Levin LM-26 Made in Sweden 1959Levin LM-26 Made in Sweden 1959

Levin LM-26 Made in Sweden 1963Levin LM-26 Made in Sweden 1963

Levin Goya 172 Made in Sweden 1970Goya GG-172 Made in Sweden by Levin 1970

Levin Goya 163 Made in Sweden 1968 #307008Goya Model 163 Made in Sweden by Levin 1968

Levin Model 174 Made in Sweden 1972Levin Model 174 Made in Sweden 1972

Levin Model 3 Royal Made in Sweden 1951Levin Model 3 Royal made in Sweden 1951

These Levin guitars used to be a part of my collection but I had to sell them to make space for other Levin guitars:

Levin Model 32 Made in Sweden 1946Levin Model 32 made in Sweden in 1946

Levin Model 65 parlour guitar Made in Sweden 1942Levin Model 65 parlour guitar Made in Sweden 1942

Levin Model 13 Ambassadör Made in Sweden 1950Levin Model 13 Ambassadör Made in Sweden 1950

Levin LM-26

Levin LM-26 Made in Sweden 1959Levin LM-26, Made in Sweden in 1959

In the end of March, about 2-3 weeks after I bought the 1963 Levin LM-26, I was offered a 1959 Levin LM-26 that I couldn’t resist, even though I already had one from that year. The seller Ian was quite persistent that I added his guitar, that he had owned since his 14th birthday in 1976, to my Levin collection so I of course complied. The guitar has been used playing anything from jazz, Mississippi blues to Celtic folk and now country, read Ian’s guitar history. Now I have one Levin LM-26 built in 1963 and two from 1959, well they actually both has a body stamped in 1958 but with a 1959 neck, not sure if they did a lot of bodies one year and necks the next. I have some Levin LT-18 that has a Goya serial number stamped inside and a completely different Levin serial number on the head, I guess these things happens at a guitar factory. This 1959 Levin LM-26 seems to be completely original, it even has the cheap looking machine heads that Levin used in the late 1950’s on the LM-series. On my other 1959 Levin LM-26 the machine heads were replaced by open back Grover’s by the second owner back in 1965 and I think I might have to do the same on this one. I like the ones they used on the Levin LS-18 at the time, they are rounder and look more Gibson like, these square ones look like something from an Egmond or a kids guitar. The guitar plays really nicely and sounds great, really full and warm as could be expected of an all solid Swedish built guitar from the late 1950’s.

Levin LM-26 Made in Sweden 1959
Levin LM-26 Made in Sweden 1959

Levin LM-26 / Goya M-26
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Metal truss rod cover with a star and “1900”, nickel plated tuners
Single-bound rosewood fingerboard with centred pearl dot inlay, rosewood bridge
Sunburst finish and ten year warranty

Marketed by U.K. distributors as Goliath Model 1795

Levin LM-26 Made in Sweden 1959

 

Levin LM-26

Levin LM-26 Made in Sweden 1963Levin LM-26, Made in Sweden in 1963

Two weeks ago I got myself another Levin LM-26. My previous one was built in 1958/59 and feels a bit fragile, it is also in a pretty good state for taking out gigging. So this 1963 Levin LM-26 felt perfect to fit a LR Bagg M1A in and take out and enjoy on stage. Guitars are meant to be used and played, even vintage ones, so in a way I would be happy to take any of my Levin’s out of the house. It’s just that some of them feels a bit too well kept for the dangers of having them in bars around drunk people, and myself slightly intoxicated hitting them harder than I should because I play with a loud band and can’t hear myself properly and such, you all know how it is. Anyway, now I have a great backup acoustic for playing live and I was missing something in sunburst to match the Claescaster I put together four years ago.

Levin LM-26 Made in Sweden 1963
Levin LM-26 Made in Sweden 1963I had to do the normal work to it, reset the neck by sanding down the heel. Fill all the dents and marks on the back of the neck with Nitro lacquer and then sand it smooth. Take the machine heads apart and clean them properly before I greased them up and put them back on. Cut a new bone saddle and then paint both the saddle and nut to match Levin’s original squirrel coloured Galalith parts. Polish frets, clean and oil the fretboard and then a general good clean of the whole guitar. If you want see pictures of any of this than have a look at how I restored the old Levin LM-26.

Levin LM-26 Made in Sweden 1963

Levin LM-26 / Goya M-26
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Metal truss rod cover with a star and “1900”, nickel plated tuners
Single-bound rosewood fingerboard with centred pearl dot inlay, rosewood bridge
Sunburst finish and ten year warranty

Marketed by U.K. distributors as Goliath Model 1795

Levin LT-18

Levin LT-18 Made in Sweden 1966Levin LT-18 Made in Sweden 1966

When I bought my first Goliath sized Levin guitar back in September 2013, a 1966 Goya T-18, I was amazed by the sound of it. They aren’t that easy to come by so I have pretty much bought every Levin LT-18 I got my hands on. Now I’m the proud dad of seven, 3 Levin LT-18, 1 Levin LS-18, 1 Goya T-18, 1 Goya T-23 and 1 Levin 174, they are all the same model with the same specifications, it’s just small details that have changed over the years. They have an X-braced alpine spruce top with flame maple back and sides. I first thought I was a mahogany back and sides type of guy, then I believed that rosewood was really my thing, when the truth is that I was a flamed maple guy all the time, who would have guessed? It’s a pretty odd tone wood, we have classics like the Gibson J-200 and quite a few of Guild’s jumbo models that are built with maple back and sides, but not that many dreadnoughts and especially not in the 1960’s. To my ears the Levin LT-18 is the love child of a Gibson J-45 and a Martin D-28, it’s somewhere in between, a perfect mix and I just love them.

Levin LT-18 Made in Sweden 1966
Levin LT-18 Made in Sweden 1966
Levin LT-18 Made in Sweden 1966

Levin LT-18 / Goya T-18
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound ebony fingerboard with bass side pearloid block inlay
Nickel plated individual Van Gent tuners with metal buttons
Ebony bridge, natural finish and ten year warranty

Marketed by U.K. distributors as Super Goliath Model 1855

Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya by Levin T-18 (1966), Goya by Levin T-23 (1966)The Goliath sized Levin collection so far: Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya T-18 (1966), Goya T-23 (1966). I didn’t include my 1972 Levin 174 in the picture since the head shape is different and it didn’t really match the others, even though it’s technically the same guitar.

Claes Anderson Band

img_7979-copy3Claes Anderson Band at Legends Dance Hall in Terrassa 4th February 2017, photo by Meritxell

We had a gig last weekend and it was great fun. It was our second gig ever, actually our first one with a drummer so things are still a bit shaky. Jordi from Rodeo Rose has joined us on drums and it feels like we are slowly finding our roles in the band. I got a chance to play electric guitar on 8 out of 19 songs which was great fun, I haven’t played electric for 2-3 years. I played on my 1968 Levin LT-18, like last time and my 1977 Greco Spacey Sounds TE-500N which sounded pretty great. I’m already looking forward to our next gig, I think we will play in Barcelona in the beginning of April. Thanks again to Toni from Legends for booking us without actually knowing what he got himself in to, we really appreciate it.