Claescaster

Month: May, 2017

Levin LM-26

Levin LM-26 Made in Sweden 1959Levin LM-26, Made in Sweden in 1959

In the end of March, about 2-3 weeks after I bought the 1963 Levin LM-26, I was offered a 1959 Levin LM-26 that I couldn’t resist, even though I already had one from that year. The seller Ian was quite persistent that I added his guitar, that he had owned since his 14th birthday in 1976, to my Levin collection so I of course complied. The guitar has been used playing anything from jazz, Mississippi blues to Celtic folk and now country, read Ian’s guitar history. Now I have one Levin LM-26 built in 1963 and two from 1959, well they actually both has a body stamped in 1958 but with a 1959 neck, not sure if they did a lot of bodies one year and necks the next. I have some Levin LT-18 that has a Goya serial number stamped inside and a completely different Levin serial number on the head, I guess these things happens at a guitar factory. This 1959 Levin LM-26 seems to be completely original, it even has the cheap looking machine heads that Levin used in the late 1950’s on the LM-series. On my other 1959 Levin LM-26 the machine heads were replaced by open back Grover’s by the second owner back in 1965 and I think I might have to do the same on this one. I like the ones they used on the Levin LS-18 at the time, they are rounder and look more Gibson like, these square ones look like something from an Egmond or a kids guitar. The guitar plays really nicely and sounds great, really full and warm as could be expected of an all solid Swedish built guitar from the late 1950’s.

Levin LM-26 Made in Sweden 1959
Levin LM-26 Made in Sweden 1959

Levin LM-26 / Goya M-26
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Metal truss rod cover with a star and “1900”, nickel plated tuners
Single-bound rosewood fingerboard with centred pearl dot inlay, rosewood bridge
Sunburst finish and ten year warranty

Marketed by U.K. distributors as Goliath Model 1795

Levin LM-26 Made in Sweden 1959

 

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1979 Fender Stratocaster

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtailFender Stratocaster, Made in USA at the Fullerton plant in 1979

Yesterday I sold my 1979 Fender Stratocaster, which felt a bit sad. I’ve had the guitar up for sale for two years so it was no surprise that sooner or later she would leave me. Then again, when it actually happened I missed her a bit. Well guitars comes and goes, that’s the circle of life and she needed to make room for her sister, my new 1978 Fender Telecaster. Last Sunday I got to use the Stratocaster one last time when we had a gig with the Claes Anderson Band. It sounded great, really twangy even through my solid state Levin amp from the 1990’s.

Claes Anderson Band – Tell my tale when I am gone, Legends Dance Hall in Terrassa 14th May 2017

LR Baggs M80

LR Baggs M80 installed in a 1968 Levin LT-18LR Baggs M80 installed in my main guitar, the 1968 Levin LT-18

Finally, that took freaking forever. I ordered a LR Baggs M80 via eBay from the US, which first got stuck in customs and cost me 84€, then it turned out that it wasn’t a LR Baggs M80, it was LR Baggs M1A in the box. I guess it could be worse, at least it was the active M1 and not the normal. Since it would cost too much to return it and I wouldn’t get the custom fees back I decided to keep it, I paid for it and they sent me the correct pickup instead, which also got stuck in customs but this time it only cost me 23€. So it took more than a month for my LR Baggs M80 to arrive, I got a LR Baggs M1A that I don’t need and I had to pay twice as much as I was hoping for. Anyway, the LR Baggs M80 sounds pretty damn good, fuller and warmer than the LR Baggs M1A, with a lot nicer highs. Perhaps it wasn’t such a big  difference that it was worth all the money and drama that it cost to get it to Spain but now when it’s here I really like it.