Claes Anderson’s first single Your day will surely come from their upcoming EP was officially released this past Friday.
Claes Anderson Band in the studio, I took out my 1960 Levin LS-18 for the first time
Last Friday we got to record two tracks, Coming home and Standing tall over the ones that have fallen, with the Claes Anderson Band. It was our first time in the studio but things went pretty smooth so I think we will be back for a full album soon enough. I played on my 1960 Levin LS-18 and my 1966 Goya T-18. Now we just need to mix and master the songs and then I will post them here.
We had a gig last weekend and it was great fun. It was our second gig ever, actually our first one with a drummer so things are still a bit shaky. Jordi from Rodeo Rose has joined us on drums and it feels like we are slowly finding our roles in the band. I got a chance to play electric guitar on 8 out of 19 songs which was great fun, I haven’t played electric for 2-3 years. I played on my 1968 Levin LT-18, like last time and my 1977 Greco Spacey Sounds TE-500N which sounded pretty great. I’m already looking forward to our next gig, I think we will play in Barcelona in the beginning of April. Thanks again to Toni from Legends for booking us without actually knowing what he got himself in to, we really appreciate it.
Even though he has been ill lately it was very sad to hear about the passing of one country musics greatest and easily my favorite, Merle Haggard. He passed away today on his 79th birthday.
My new country favorite, Sturgill Simpson is finally coming to town. He’s playing Sala Rocksound here in Barcelona on Thursday 21st of January 2016. I was damn jealous when he was gigging around Europe last year but never came to Spain. I think it’s a solo show, which is a shame it would have been nice to see his band too. Having said that, I’m pretty sure Sturgill’s voice and guitar is enough to fill the room. If you want to learn more about Sturgill you can listen to this interview.
Last Saturday I got a chance to play with my friends Cherry & Wolf again. It turned out to be great fun and it seems like I have a few more gigs lined up with them this autumn. Now you can see where the Luxor Dove copy went, it’s Wolf’s main guitar and I’m playing on my beloved Morris W-50.
1979 Mossman Catalogue, taken from David Hylander Guitar Works
I have recently come across another American guitar maker that was previously unknown to me. I mentioned Grammer guitars earlier, this time it’s Mossman guitars that I’ve fallen in love with. One of the guitar builders that I follow on Instagram, kawvalleyguitars in Kansas, kept posting images of Mossman guitars he had done neck resets on, which awoke my curiosity. After a bit of Googleing I realised that quite a few artists liked Mossman guitars, including John Denver, Eric Clapton, Albert Lee, Doc Watson, Hank Snow, Cat Stevens and Merle Travis. Stuart Mossman got fed up with all the plywood guitars that was pumped out of the big factories in the 1960-70’s and decided to start building his own guitars with real tone woods and proper craftsmanship, and so S.L Mossman Guitars were born in Winfield, Kansas.
Stuart Mossman in Winfield, Kansas. Here you can read more about the Mossman story
This could be the most awesome guitar brochure ever printed, the 1979 Mossman Catalogue, taken from David Hylander Guitar Works
As mentioned before, there are two guitars that I really would like to own. The first would be a Gibson J-50, ideally from before 1970. The Second would be a mid 1970’s K. Yairi YW-1000, the most beautiful Martin D-45 copy ever made. Having said that, I might have to add a third guitar in my list of holy grails, a Grammer Guitar. Imagine to find an original, before Ampeg took over, The Grammer Guitar RG&G, built by Billy and the boys in Nashville, Tennessee. Here you can read the history of the Grammer Guitar, it’s a pretty interesting story, especially if you like country music as I do. In the mid 1960’s Billy Grammer, a musician himself, decided to make an affordable flat top guitar for his friends in the Country music business. He took a Gibson J-45 and a Martin D-18 apart, studied their bracing pattern and how they were built and then made a copy with the best of both worlds, The Grammer Guitar. Maybe the reason I like them so much is because they remind me of my big headed Levin guitars from the 1970’s.
The Last Grammer Guitar made by RG&G, built in 1968 on 715 Poplar Avenue in Nashville, Tennessee
I’m not much of a Joe Bonamassa fan but he plays a 1969 Grammer Johnny Cash model, I mainly respect him for taking his vintage guitars on tour and using them instead of just collection them. The Guitar Of The Week part on the Joe Bonamassa’s site is well worth a visit if you like old guitars.
Joe Bonamassa’s 1969 Grammer Johnny Cash model, here is a Youtube clip of him playing it live
Here is Billy when he was young and awesome
And here is Billy when he is old and blind, but still kind of awesome