Claescaster

Category: Guitars

Martin SPD-16R

Martin SPD-16R Made in USA1999Martin SPD-16R, Made in USA 1999

I have this beautiful 1999 Martin SPD-16R for sale. I really like it but the likelihood of me playing on anything that isn’t a Swedish Levin is so slim that it’s not worth keeping such a great guitar. I haven’t opened the case to my beloved Sigma DR-41 for ages either, it’s so hard to put the Levin guitars down. These late 1990’s Martin SPD-16R has quite a following and is getting harder to find so if you are interested send me an email, claesgellerbrink@gmail.com

Levin 315N / 320N

Levin 315N, 1959 Harriers Musikkatalog, Levin catalogLevin 315N without pickups from the 1959 Harriers catalogue, taken from Vintage Guitars Sweden

I would really like to find a Levin 315 or 320 in natural colour, ideally with two pickups. If you happen to have one that you would like to sell, please get in touch, claesgellerbrink@gmail.com. I’m only interested in the Levin 315N/M1 or M2 and Levin 320N/M1 or M2.

Levin 315N/M1 or M2, or Levin 320N/M1 or M2.So beautiful, I would love to find either a Levin 315N or Levin 320N with one (M1) or two (M2) DeArmond pickups.

1978 Fender Telecaster

Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster, Made in USA at the Fullerton plant in 1978

I sold my 1979 Fender Stratocaster a couple of weeks ago and managed to find myself a late 1970’s Fender Telecaster at the same time. This was my secret plan all along, sell the Stratocaster and get a Telecaster instead. I’ve dreamt of a 1970’s Fender Telecaster for over 20 years and now I finally got one. Ideally I would have loved an early 50’s one but I realised already at 15 years old that a late 70’s is probably all I could ever afford. I found this 1978 Fender Telecaster in Musicarte Strumenti Musicali, a guitar shop in , Italy. I got a pretty descent price but you never really know what you are getting, unless you have seen all the numbers stamped on the guitar you are just taking someone’s word for it to be all original. I’ve also never bought anything from Italy, a lot of eBay sellers refuse to ship to Italy because of problems with the post and perhaps even more, Italian buyers. I just had to trust these guys and luckily it worked out fine. I really love this guitar, the neck is chunkier than the 1979 Fender Stratocaster which I love, the fatter the better. The colour will hopefully darken over the years from the sun which will make it even more Bruce Springsteen and Roy Buchannan looking. Actually, I guess this is my Nancy now, even if she is a late 1970’s natural Telecaster and not an early 1950’s butterscotch one like Buchannan’s. It weighs a good 4.5 kg, perhaps even more, but is so worth it for the feel of the neck and the sustain of the body. The pickups are pretty damn good too, I really like how sweet it sounds. Overall, an amazing Telecaster and a dream come true for me, even though my Japan made 1981 Greco TL-800 is equally good.

Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster Made in USA, Fullerton 1978

I haven’t taken the guitar apart yet to check that all the numbers match the serial number. I’ve just seen the pots so far and they are stamped with 1377818, which dates it to the 18th week of 1978. I managed to date my 1979 Fender Stratocaster via this site, Dating Late 1970’s Fender Stratocasters, I found it extremely helpful. Since the S7, S8, S9 etc stamped on the headstock are so inaccurate to show if the guitar was made in 1977, 1978 or 1979 you really need check all the other numbers to know what year the guitar was made. Here are the basic numbers to check:

Neck stamps: MMNN*WWYD, Example: 0900*3893 = Week 38, 1979, Day 3
Neck / Body Stamps: WWYD, Example: 0304 = Week 3, 1980, Day 4
Pot codes: MMMYYWW, Example: 1377731 = 137 (CTS), 1977, Week 31
Pickup Codes: OOWWYY, Example: 202378 = Operator #20, Week 23, 1978

Here are the colour that were available in the late 1970’s, I have to try to find #521 stamped on mine to make sure that it was originally natural colour and hasn’t been stripped. Antigua (523*), Black (506*), Blond (501), Natural (521*), Sunburst (500), Tobacco Sunburst (525*), Walnut (522), White (505*), Wine (524*)

Fender Telecaster Made in USA, Fullerton 1978
I have only checked that the number on the pots match the serial number on the headstock and they do. They are stamped with 1377818 which dates them to the 18th week of 1978.

I used the 1978 Fender Telecaster for the first time last weekend at our gig at the AMCCC – American Cars 2017 in Platja d’Aro, Girona.

1979 Fender Stratocaster

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtailFender Stratocaster, Made in USA at the Fullerton plant in 1979

Yesterday I sold my 1979 Fender Stratocaster, which felt a bit sad. I’ve had the guitar up for sale for two years so it was no surprise that sooner or later she would leave me. Then again, when it actually happened I missed her a bit. Well guitars comes and goes, that’s the circle of life and she needed to make room for her sister, my new 1978 Fender Telecaster. Last Sunday I got to use the Stratocaster one last time when we had a gig with the Claes Anderson Band. It sounded great, really twangy even through my solid state Levin amp from the 1990’s.

Claes Anderson Band – Tell my tale when I am gone, Legends Dance Hall in Terrassa 14th May 2017

LR Baggs M80

LR Baggs M80 installed in a 1968 Levin LT-18LR Baggs M80 installed in my main guitar, the 1968 Levin LT-18

Finally, that took freaking forever. I ordered a LR Baggs M80 via eBay from the US, which first got stuck in customs and cost me 84€, then it turned out that it wasn’t a LR Baggs M80, it was LR Baggs M1A in the box. I guess it could be worse, at least it was the active M1 and not the normal. Since it would cost too much to return it and I wouldn’t get the custom fees back I decided to keep it, I paid for it and they sent me the correct pickup instead, which also got stuck in customs but this time it only cost me 23€. So it took more than a month for my LR Baggs M80 to arrive, I got a LR Baggs M1A that I don’t need and I had to pay twice as much as I was hoping for. Anyway, the LR Baggs M80 sounds pretty damn good, fuller and warmer than the LR Baggs M1A, with a lot nicer highs. Perhaps it wasn’t such a big  difference that it was worth all the money and drama that it cost to get it to Spain but now when it’s here I really like it.

Claes Anderson Band

Claes Anderson Band recording in Slim Studio Bcn 2017-04-21Claes Anderson Band in the studio, I took out my 1960 Levin LS-18 for the first time

Last Friday we got to record two tracks, Coming home and Standing tall over the ones that have fallen, with the Claes Anderson Band. It was our first time in the studio but things went pretty smooth so I think we will be back for a full album soon enough. I played on my 1960 Levin LS-18 and my 1966 Goya T-18. Now we just need to mix and master the songs and then I will post them here.

Claes Anderson Band recording in Slim Studio Bcn 2017-04-21Claes Anderson Band recording in Slim Studio 21st April 2017

Greco TE-800

Greco TE-800 , Made in Japan, FujiGen 1981Greco TE-800, Made in Japan by FujiGen 1981

I finally found my “Nancy“, this has taken forever or at least four years. I used to have an amazing sounding and looking late 1980’s Japan made Fender Telecaster TL52-75, a great ’52 re-issue that I could never get used to the thin neck on. Then I found myself a 1979 Greco Spacey Sounds TL-500, equally great sounding but not in a mint state like the Fender, same problem there the neck was way too thin. So since 2013 I’ve been trying to find a nice Japan made ’52 re-issue with a thicker neck but without any luck. I don’t have large hands or anything, it’s just that since I mainly play old Levin acoustics from the 1960’s I’m kind of used to thicker necks than what’s standard on Japanese electrics. The solution turned out to be a an early 1980’s Greco TE-800 since they came with a pretty decent V-neck. It’s not the thickest neck I’ve seen or anything, it’s actually quite shy in thickness even though it’s a V-profile, but it’s far better that all the other Japan made Telecaster necks I’ve tried from the 1970-80’s. I’ve seen a few Crafted in Japan Fender ’52 re-issues from the mid 2000’s that has nice V-necks but nothing before that. The USA made Fender American Vintage ’52 Telecaster didn’t have it’s fat U-shaped neck until 1998 either, so this seems more like an 1980-90’s problem than purely a Japanese problem. I blame all the slick fast playing guitarists in the 80’s that wanted super thin necks, the ruined everything for the rest of us. The previous owner of the Greco TE-800, a really nice German man called Lennart, and I have had quite long mail conversations regarding this mythical creature, the unicorn of necks, the V-neck on Japan made Telecasters. In his expertise the V-profile appeared on the high-end Tokai, Greco and Fernades models around 1980-82. Something that I have had confirmed from early 80’s Tokai’s, both Strats and Teles I’ve seen for sale on eBay. This Greco TL-800 lost it’s original bridge at some point, with the serial number, but according the Lennart it must be from 1981. He has had a few other Greco TL-800 in his life and they apparently stopped with the V-shaped necks in 1982.

♪ ♫ ♪ Roy Buchanan – CC Rider

Greco TE-800 , Made in Japan, FujiGen 1981
Greco TE-800 , Made in Japan, FujiGen 1981Greco TE-800 , Made in Japan, FujiGen 1981I really don’t mind how worn this Greco TL-800 is, it’s so beautiful in my eyes. Everything from the chipped fretboard to the cigarette burn on the back of the neck, I’m not sure how someone managed with that. The only part I don’t like is the Wilkinson bridge, it’s actually what I use on the Claescasters but on this guitar I would have preferred something older, more worn and perhaps Japanese. The Greco TL-800 has, beside the V-neck, Nitro lacquer and a Maxon neck pickup and the legendary DiMarzio Pre B-1 in the bridge. I’m not 100% sure that the DiMarzio is for me, it seems a bit too hot for my liking but I will try it with the band first and see how it works in a louder setting.

Levin LT-18

Levin LT-18 Made in Sweden 1966Levin LT-18 Made in Sweden 1966

When I bought my first Goliath sized Levin guitar back in September 2013, a 1966 Goya T-18, I was amazed by the sound of it. They aren’t that easy to come by so I have pretty much bought every Levin LT-18 I got my hands on. Now I’m the proud dad of seven, 3 Levin LT-18, 1 Levin LS-18, 1 Goya T-18, 1 Goya T-23 and 1 Levin 174, they are all the same model with the same specifications, it’s just small details that have changed over the years. They have an X-braced alpine spruce top with flame maple back and sides. I first thought I was a mahogany back and sides type of guy, then I believed that rosewood was really my thing, when the truth is that I was a flamed maple guy all the time, who would have guessed? It’s a pretty odd tone wood, we have classics like the Gibson J-200 and quite a few of Guild’s jumbo models that are built with maple back and sides, but not that many dreadnoughts and especially not in the 1960’s. To my ears the Levin LT-18 is the love child of a Gibson J-45 and a Martin D-28, it’s somewhere in between, a perfect mix and I just love them.

Levin LT-18 Made in Sweden 1966
Levin LT-18 Made in Sweden 1966
Levin LT-18 Made in Sweden 1966

Levin LT-18 / Goya T-18
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound ebony fingerboard with bass side pearloid block inlay
Nickel plated individual Van Gent tuners with metal buttons
Ebony bridge, natural finish and ten year warranty

Marketed by U.K. distributors as Super Goliath Model 1855

Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya by Levin T-18 (1966), Goya by Levin T-23 (1966)The Goliath sized Levin collection so far: Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya T-18 (1966), Goya T-23 (1966). I didn’t include my 1972 Levin 174 in the picture since the head shape is different and it didn’t really match the others, even though it’s technically the same guitar.

Levin Model 2

Levin Model 2 Parlour Made in Sweden 1914
Levin Model 2 Parlour Made in Sweden 1914

In the year of our Lord 1914 a terrible war broke out in Europe, at the same time this beautiful guitar was made in Sweden. I finally found myself an old Levin parlour, a 1914 Levin Model 2. When I sold the Levin Model 65 back in December I promised myself to find another Levin parlour, but older, and nicer. I did, it took 10 days. I was super lucky and managed to win this Model 2 on an auction the day before Christmas, perhaps that’s why the competition wasn’t so fierce. It’s in pretty decent original shape for being 103 years old, no real damage to it. It looks like the back has been removed and glued back at some point so I guess someone has re-glued some lose braces. I can’t see any signs of a neck reset but since it’s so playable after 100 years I assume that someone has done that too. I love the original machine heads with their bone buttons and the brass medallion on the back of the head is just beautiful. It sounds way better than I expected. I’ve had a couple of early German parlours at home and they have sound very thin, weak and boxy somehow. This Levin is loud, clear and warm at the same time, even though it’s ladder braced. For being one of Levin’s cheapest models I think it’s an amazing guitar and it looks stunning in it’s simplicity.

Levin Model 2 Parlour Made in Sweden 1914
Levin Model 2 Parlour Made in Sweden 1914
The back and sides are made of birch that is painted to look like Brazilian rosewood. I would have preferred the real deal but I guess it was both expensive and hard to come by exotic woods at the time.

Levin Model 2
Body width: 315 mm, length: 460 mm, depth: 78 mm
Spruce top with ladder bracing, birch back and sides
Unbound walnut fingerboard with mother-of-pearl dot inlay
Triple wood bound top, unbound back and headstock
Brass frets, brass tuners, pyramid bridge, bridge pins and strap button with mother-of-pearl inlay. Rosewood finished back and sides with an orange finished top.

Introduced circa 1900

Levin Model 2 Parlour Made in Sweden 1914The stamp on the right side is from Frälsningsarmén, The Salvation Army in Stockholm. I assume a lot of songs about Jesus has been played on this guitar over the years.

The old Levin factory on Norra Larmgatan 4 in Gothenburg, Sweden 1910-20The old Levin factory on Norra Larmgatan 4 in Gothenburg, Sweden, around 1920. Taken from Vintage Guitars Sweden

 

 

Martin SWDGT

Martin SWDGT, Made in USA 2004Martin SWDGT, Made in USA 2004

Last weekend I adjusted Sr. Chinarro’s 2004 Martin SWDGT. It’s a really nice guitar and it reminds me a lot of the Martin SPD-16R I got for Christmas. These Martin SWDGT or Sustainable Wood Series are constructed in an ecologically responsible way with alternative woods. It has a really nice coloured sitka spruce top with non-scalloped X-bracing, back, sides and neck are cherry wood and the fretboard is made from katalox. It’s constructed with a simple dovetail neck joint, gold machine heads and a faux tortoise binding all around, just like the Martin SPD-16R, the only difference is that the SWDGT has faux tortoise headplate as well. The Martin SPD-16R has rosewood back and sides and it feels like the cherry wood in the SWDGT is adding more bass, depth and warmth, I really like the sound of it. I’ve always been a big fan of fancy exotic woods, especially Brazilian rosewood, but if you can build guitars this good from woods you can find in your backyard, then perhaps that’s the sustainable way for the future. I have to add that I hate the future and prefer to live in the past with my fancy old exotic woods but we can’t all do that, that wouldn’t be very sustainable.

Martin SWDGT, Made in USA 2004
Martin SWDGT, Made in USA 2004I love the colour of the top, so much nicer than the new made Martin D-18 and D-28.