Claescaster

Category: Made in USA

Martin SPD-16R

Martin SPD-16R Made in USA1999Martin SPD-16R, Made in USA 1999

I have this beautiful 1999 Martin SPD-16R for sale. I really like it but the likelihood of me playing on anything that isn’t a Swedish Levin is so slim that it’s not worth keeping such a great guitar. I haven’t opened the case to my beloved Sigma DR-41 for ages either, it’s so hard to put the Levin guitars down. These late 1990’s Martin SPD-16R has quite a following and is getting harder to find so if you are interested send me an email, claesgellerbrink@gmail.com

1978 Fender Telecaster

Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster, Made in USA at the Fullerton plant in 1978

I sold my 1979 Fender Stratocaster a couple of weeks ago and managed to find myself a late 1970’s Fender Telecaster at the same time. This was my secret plan all along, sell the Stratocaster and get a Telecaster instead. I’ve dreamt of a 1970’s Fender Telecaster for over 20 years and now I finally got one. Ideally I would have loved an early 50’s one but I realised already at 15 years old that a late 70’s is probably all I could ever afford. I found this 1978 Fender Telecaster in Musicarte Strumenti Musicali, a guitar shop in , Italy. I got a pretty descent price but you never really know what you are getting, unless you have seen all the numbers stamped on the guitar you are just taking someone’s word for it to be all original. I’ve also never bought anything from Italy, a lot of eBay sellers refuse to ship to Italy because of problems with the post and perhaps even more, Italian buyers. I just had to trust these guys and luckily it worked out fine. I really love this guitar, the neck is chunkier than the 1979 Fender Stratocaster which I love, the fatter the better. The colour will hopefully darken over the years from the sun which will make it even more Bruce Springsteen and Roy Buchannan looking. Actually, I guess this is my Nancy now, even if she is a late 1970’s natural Telecaster and not an early 1950’s butterscotch one like Buchannan’s. It weighs a good 4.5 kg, perhaps even more, but is so worth it for the feel of the neck and the sustain of the body. The pickups are pretty damn good too, I really like how sweet it sounds. Overall, an amazing Telecaster and a dream come true for me, even though my Japan made 1981 Greco TL-800 is equally good.

Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster Made in USA, Fullerton 1978
Fender Telecaster Made in USA, Fullerton 1978

I haven’t taken the guitar apart yet to check that all the numbers match the serial number. I’ve just seen the pots so far and they are stamped with 1377818, which dates it to the 18th week of 1978. I managed to date my 1979 Fender Stratocaster via this site, Dating Late 1970’s Fender Stratocasters, I found it extremely helpful. Since the S7, S8, S9 etc stamped on the headstock are so inaccurate to show if the guitar was made in 1977, 1978 or 1979 you really need check all the other numbers to know what year the guitar was made. Here are the basic numbers to check:

Neck stamps: MMNN*WWYD, Example: 0900*3893 = Week 38, 1979, Day 3
Neck / Body Stamps: WWYD, Example: 0304 = Week 3, 1980, Day 4
Pot codes: MMMYYWW, Example: 1377731 = 137 (CTS), 1977, Week 31
Pickup Codes: OOWWYY, Example: 202378 = Operator #20, Week 23, 1978

Here are the colour that were available in the late 1970’s, I have to try to find #521 stamped on mine to make sure that it was originally natural colour and hasn’t been stripped. Antigua (523*), Black (506*), Blond (501), Natural (521*), Sunburst (500), Tobacco Sunburst (525*), Walnut (522), White (505*), Wine (524*)

Fender Telecaster Made in USA, Fullerton 1978
I have only checked that the number on the pots match the serial number on the headstock and they do. They are stamped with 1377818 which dates them to the 18th week of 1978.

I used the 1978 Fender Telecaster for the first time last weekend at our gig at the AMCCC – American Cars 2017 in Platja d’Aro, Girona.

1979 Fender Stratocaster

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtailFender Stratocaster, Made in USA at the Fullerton plant in 1979

Yesterday I sold my 1979 Fender Stratocaster, which felt a bit sad. I’ve had the guitar up for sale for two years so it was no surprise that sooner or later she would leave me. Then again, when it actually happened I missed her a bit. Well guitars comes and goes, that’s the circle of life and she needed to make room for her sister, my new 1978 Fender Telecaster. Last Sunday I got to use the Stratocaster one last time when we had a gig with the Claes Anderson Band. It sounded great, really twangy even through my solid state Levin amp from the 1990’s.

Claes Anderson Band – Tell my tale when I am gone, Legends Dance Hall in Terrassa 14th May 2017

LR Baggs M80

LR Baggs M80 installed in a 1968 Levin LT-18LR Baggs M80 installed in my main guitar, the 1968 Levin LT-18

Finally, that took freaking forever. I ordered a LR Baggs M80 via eBay from the US, which first got stuck in customs and cost me 84€, then it turned out that it wasn’t a LR Baggs M80, it was LR Baggs M1A in the box. I guess it could be worse, at least it was the active M1 and not the normal. Since it would cost too much to return it and I wouldn’t get the custom fees back I decided to keep it, I paid for it and they sent me the correct pickup instead, which also got stuck in customs but this time it only cost me 23€. So it took more than a month for my LR Baggs M80 to arrive, I got a LR Baggs M1A that I don’t need and I had to pay twice as much as I was hoping for. Anyway, the LR Baggs M80 sounds pretty damn good, fuller and warmer than the LR Baggs M1A, with a lot nicer highs. Perhaps it wasn’t such a big  difference that it was worth all the money and drama that it cost to get it to Spain but now when it’s here I really like it.

Martin SWDGT

Martin SWDGT, Made in USA 2004Martin SWDGT, Made in USA 2004

Last weekend I adjusted Sr. Chinarro’s 2004 Martin SWDGT. It’s a really nice guitar and it reminds me a lot of the Martin SPD-16R I got for Christmas. These Martin SWDGT or Sustainable Wood Series are constructed in an ecologically responsible way with alternative woods. It has a really nice coloured sitka spruce top with non-scalloped X-bracing, back, sides and neck are cherry wood and the fretboard is made from katalox. It’s constructed with a simple dovetail neck joint, gold machine heads and a faux tortoise binding all around, just like the Martin SPD-16R, the only difference is that the SWDGT has faux tortoise headplate as well. The Martin SPD-16R has rosewood back and sides and it feels like the cherry wood in the SWDGT is adding more bass, depth and warmth, I really like the sound of it. I’ve always been a big fan of fancy exotic woods, especially Brazilian rosewood, but if you can build guitars this good from woods you can find in your backyard, then perhaps that’s the sustainable way for the future. I have to add that I hate the future and prefer to live in the past with my fancy old exotic woods but we can’t all do that, that wouldn’t be very sustainable.

Martin SWDGT, Made in USA 2004
Martin SWDGT, Made in USA 2004I love the colour of the top, so much nicer than the new made Martin D-18 and D-28.

Martin SPD-16R

Martin SPD-16R Made in USA1999
Martin SPD-16R, Made in USA 1999

Before Christmas I got myself my first Martin. Like most acoustic guitar players I’ve always dreamt of getting a really old Martin D-28 but since they are so ridiculously expensive I settled for a more modest Martin, a 1999 Martin SPD-16R. I have to say that it’s an amazing guitar for the price, I think these cost between $1500-2000 when they were new in the late 1990’s. One of the problems I have with modern Martin guitars is the Richlite and other weird wood substitutes they use on the Martin 16-series nowadays. I also think that most new Martins look pretty bland and boring, hence why I liked the SPD-16R so much with it’s fancy snowflake inlays and abalone rosette, it even has gold hardware. Unfortunately for me, I’ve realised that I’m not a Martin guy, I feel like I’m cheating on my Levin guitars every time I pick another guitar up so I’ve decided to put this Martin SPD-16R up for sale.

Martin SPD-16R Made in USA1999Martin SPD-16R Made in USA1999

Martin SPD-16R
14 fret Dreadnought with spruce top and Indian Rosewood back and sides. Forward shifted scalloped X bracing. Performance taper, low oval mahogany neck with rosewood fretboard and bridge. Snowflake inlays, abalone rosette and a D-45 style back strip with gold Martin stamped machine heads. Produced in USA between 1996-2001. SPD-16R stands for Special edition, Dreadnought, 16-series in Rosewood.

Player Reviews, taken from Dream Guitars:

“The SPD-16 series offers a lot of guitar for the money. Solid woods, abalone markers and rosette and gold hardward were all standard. Great tone is standard also. This is a true Martin guitar with the punch and wonderful midrange Martin fans will enjoy.” – Paul Heumiller

“This is a great dreadnought for the money. This Special Edition Martin has that vintage look and appears to be a cross between a D-18 and D-28. Pretty darn nice.” – Al Petteway

Martin SPD-16R Made in USA1999

Rickenbacker 330

Rickenbacker 330 Made in USA 2000A Rickenbacker 330 in Fireglo, Made in USA April 2000

Last week I had Sr. Chinarro’s Rickenbacker 330 at home for some minor work. This was actually the first Rickenbacker guitar I’ve ever played, I tried a Rickenbacker 4003 Bass ones but that’s all. I’m not sure why I haven’t been more interested in the brand, they look amazing and a million awesome musicians plays Rickenbacker. Perhaps I got lured in to the Telecaster cave early on and never managed to find my way out. The Rickenbacker 330 was introduced in 1958 and it really feels like it was built in an old fashioned way, perhaps not entirely in a good way. I mean when the electric guitars came in the 1950’s all the different brands had to figure things out for themselves for not infringing anyone else’s previous patents, hence why saddles, pickups and constructions varied so much in the beginning. There are a few solutions on the Rickenbacker that feels a bit weird, like the saddle, pickguard or the fact that they have lacquer over the rosewood fretboard. The problem with this guitar was that it had groves in the fretboard that I had to fill in with lacquer, scrape and then buff out with sandpaper and metal polish, which worked really well in the end. I think I will stick to my Levin orchestra guitars when it comes to hollow bodies but I really enjoyed having this Rickenbacker 330 at home so I could finally try one out. I loved the neck, both thickness and the feel of it and the pickups sounds really great, it’s a very versatile guitar.

Rickenbacker 330 Made in USA 2000
Rickenbacker 330 Made in USA 2000

Gibson B-15

Gibson B-15 Made in USA 1969Gibson B-15, built in Kalamazoo, Michigan, USA in 1969

Another 1960’s Gibson came in to my hands this weekend. This one is actually not mine, it belongs to Sr Chinarro. The Gibson B-15 was introduced in 1967 as the last model of the famous B-series, the Gibson B-25 was already a huge hit and they continued to manufacture the B-series through out the 1970’s. The B-15 was an all solid model with a natural finished mahogany body, a mahogany stained spruce top and rosewood fretboard and bridge. Gibson referred to the B-series as student models at the time which is a bit misguiding considering what a student guitar sounds like today. These have great even tone and pretty amazing sustain for the size, a perfect little blues machine.

Gibson B-15 Made in USA 1969Gibson B-15 Made in USA 1969

This 1969 Gibson B-15 sounds and plays great and is pretty good shape for it’s age. There is a lot of scratches and wear to the top and sides but the are no cracks or structural issues. It’s all original and even comes with the Gibson made alligator chipboard case. The action is good and the frets has very little wear. This guitar is sold now.

Gibson B-15 Made in USA 1969Gibson B-15 Made in USA 1969

 

 

LR Baggs Lyrics

Sigma DR-41 Made in Japan 1980, MIJ, C. F. Martin & CoSigma DR-41 Made in Japan 1980, now with a LR Baggs Lyrics installed

As I mentioned before I ordered myself a LR Baggs Lyrics a couple of month ago and finally got around to install it in my Japanese Sigma DR-41 from 1980. I couldn’t really decide which guitar to put it in that’s why it took so long to get it done. The actually installation was very straight forward and easier than I expected. I just drilled a 13 mm hole in the end block, installed the endpin jack, stuck the microphone to the bridge plate inside the guitar and then just fitted the volume control at the sound hole and the battery pouch to the neck block. I did two tests to show the difference between my old LR Baggs M1 and this new LR Baggs Lyrics. I thought it would be a great idea to keep both systems in at the same time so the clips would be identical and easier to compare, but ended up getting quite a lot of noise. I’m not sure if it was a dodgy cable or if the systems interfered with each other, perhaps the magnets was causing havoc? Either way, neither sounds like this on their own. I played some nice chords in the first example and the normal things I play in my Youtube videos in the second, plus some little blues licks in the end. You can really hear the limitations of the M1, even though it has other advantages like the fact that it never feedback. I have a feeling that this Lyrics might be more sensitive for that on stage. I have to say that I really like to woody and open sound of the Lyrics and it seems to handle my attack as well when I play licks. Overall, the best and most natural sounding pickup system I’ve heard so far. I understand why Sturgill Simpson is using it.

Gibson J-45/J-50

Gibson J-45 ADJ 1965 Made in USAGibson J-45 ADJ, built in Kalamazoo, Michigan, USA in 1965

As mentioned quite a few times in the past, I’m very gay for the old round shouldered Gibson J-45 / J-50. I’m not entirely sure why, it’s not just for the amazing bass response, I think I really like the look of the round shoulders as well, it’s very woman like. I previously owned a 1970 Gibson J-50 Deluxe which sounded great but it didn’t really have the look or sound I was after so eventually I sold it to a nice older gent living in Kent, no he lived in Asturias here in Spain but he might very well have been from Kent originally.

Gibson J-45 ADJ 1965 Made in USAGibson J-45 ADJ 1965 Made in USA1965 Gibson J-45 ADJ, round shouldered dreadnought, natural finish spruce top, mahogany back and sides, rosewood fretboard and bridge. All original except for the refinish which turned this J-45 in to a J-50

In the beginning of the year I was contacted by a seller that happened to sit on a 1965 Gibson J-45 ADJ with a natural top, apparently it was refinished in the early 1970’s. It looked exactly like the guitar I was looking for, round shouldered, small headstock with old school Kluson 3-on-a-plate machine heads and a big pickguard. The only downside was a couple of old cracks in the top and the adjustable bridge. The cracks had been fixed 45 years ago and it wasn’t that hard to carve a new bone saddle the size of the old rosewood saddle, insert and all. Finally I had my mid-1960’s round shouldered Gibson J-50, I would of course have preferred a mid-1950’s but the price difference is just insane. Even though it’s a 1965 Gibson J-45, the only difference between the J-45 a J-50 was the sunburst so with that gone it’s a 1965 Gibson J-50.

Gibson J-45 ADJ 1965 Made in USAI wasn’t overly keen on the sound of the original adjustable rosewood saddle so I carved a new one in bone and removed all the nuts and bolts under the bridge. The rosewood saddle didn’t sound bad, just a bit muffled and to me the bone is huge improvement

Bob Dylan in 1963 on his late 1940's Gibson J-50This is how cool I feel with my 1965 Gibson J-45, like a 1963 Bob Dylan with his late 1940’s Gibson J-50