Levin 174
by claesgellerbrink
Levin Model 174 Made in Sweden 1972
My latest acquisition, a 1972 Levin Model 174. The story how I got this guitar is pretty amazing. I wrote a post about Levin guitars back in August 2013 when I had just started to collect them. In the end of the post I mentioned that I would love to find a Levin Model 174, it’s basically a Levin LT-18 but with a massive head. There is something about that huge head that I find very appealing, I guess it reminds me of old an archtop guitar from 1930-40’s and it’s almost a bit Art Deco. Three months later, in the end of November, I got a comment from a Danish guy called Orla saying that he had one for sale. We started to email each other and he told that a few days earlier he had seen a guy about to throw a guitar case in a skip so he had gone up to him and asked if he could have it instead. Orla took the case home, opened it and found a 1972 Levin Model 174 in pretty good shape inside. He Googled the name and model and pretty soon found my blog post saying that I was looking for one. Since Orla doesn’t play guitar himself, he just wanted to save it from a certain death, he contacted me and offered me to buy it and I’m very grateful that he did. It was a bit scary to buy a guitar from a guy I didn’t know who had contacted me through my blog, it felt a bit fishy somehow. A part of me thought it was a Nigerian email scam in disguise and another part said that I should trust the good in people, especially a Northern neighbour like Orla. In the end I decided that it was an offer I really couldn’t turn down, especially since most of the 174’s I had seen for sale were all Goya labelled and made later in the 1970’s. It took some time to get the guitar down to Spain, we had some logistic issues but finally it arrived about two weeks ago and I was stunned. Since Orla doesn’t play he couldn’t give me any info about what state the guitar was in, he had sent me some pictures but it’s pretty hard to get an idea if it’s even playable from just that. Luckily it was in a really good state and it both sounds and feels great.
Levin Model 174 /Goya Model 174
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound headstock with mother-of-pearl inlay
Single-bound ebony fingerboard with bass side pearloid block inlays
Rosewood bridge with individual height adjustable plastic saddles
Nickel plated individual Van Gent tuners with metal buttons
Natural finish and ten year warranty
Introduced circa 1969 as a replacement for LT 18
I didn’t have to do much to it, the action was really good as it was. Which was very lucky because this 174 doesn’t have the Levin bolt-on neck system, they stopped with that in the early Seventies. The original Van Gent machine heads had been changed at some point, probably in the 1970’s, to Schaller’s and I really don’t like these type of buttons so I changed them for Wilkinson WJ-309 in gold, to make it look even more Art Deco. I also installed an endpin jack so I can use it live with my LR Baggs M1. I had to clean it a bit, polish the frets and oil the fretboard but overall it was pretty good from the start. There was a note hidden under the trussrod cover saying, Her blev sedlen lagt 4th of February 1995. I assume that’s referring to that the nut was raised a bit 19 years ago, something I need to redo at some point because they seem to have used some paper like material instead of bone.
The whole Levin family, Goya Model 163 (1968), Goya T-18 (1966), Levin Model 13 (1950), Levin LT-16 (1966), Levin Model 65 (1942), Levin LM-26 (1959), Levin Model 174 (1972).
[…] T-18 (1966), Levin Model 13 (1950), Levin LT-16 (1966), Levin Model 65 (1942), Levin LM-26 (1959), Levin Model 174 (1972), might be the greatest Levin collection in […]
[…] T-18 (1966), Levin Model 13 (1950), Levin LT-16 (1966), Levin Model 65 (1942), Levin LM-26 (1959), Levin Model 174 […]
[…] in town and feel up for some Swedish/Spanish country sung in English then come by. I will bring my Levin 174 which sounds a bit like the Goya T-18 in the clip […]
[…] off when you saw the sawdust. Some of the Levin’s had normal rosewood freatboards but the Levin 174 has a ebony fretboard, how fancy pants is that? My dads old Levin LT-16 is supposed to have a […]
[…] T-18 (1966), Levin Model 13 (1950), Levin LT-16 (1966), Levin Model 65 (1942), Levin LM-26 (1959), Levin Model 174 (1972), might be the greatest Levin collection in […]
[…] I got this K.Yairi TG-40 fairly cheap since the pickguard needed to be reglued and one machine head wasn’t working properly. It also has two cracks, one on each side that has been professionally repaired and can’t be seen from the outside. Since the machine heads needed to be replaced I decided to change them for Wilkinson WJ-309 in gold, just like I did on my Levin 174 […]
[…] width: 445 mm) and Levin Model 3 Royal (Body width: 420 mm), but it’s just 2 cm wider than my Levin 174 and the other Goliath sized acoustic Levin’s I have. I’m really happy with it and will […]
[…] moment, from left to right: Goya GG-172 (1970), Goya Model 163 (1968), Levin Model 65 (1942), Levin Model 174 (1972), Levin Royal (1951), Goya T-18 (1966), Levin Model 13 (1950), Levin LM-26 (1959), Levin […]
[…] moment, from left to right: Goya GG-172 (1970), Goya Model 163 (1968), Levin Model 65 (1942), Levin Model 174 (1972), Levin Royal (1951), Goya T-18 (1966), Levin Model 13 (1950), Levin LM-26 (1959), Levin […]
[…] moment, from left to right: Goya GG-172 (1970), Levin Model 13 (1950), Goya Model 163 (1968), , Levin Model 174 (1972), Levin Royal (1951), Levin LM-26 (1959), Levin Model 65 (1942), Goya T-18 (1966), Levin […]
[…] the moment, from left to right: Goya GG-172 (1970), Levin Model 13 (1950), Goya Model 163 (1968), Levin Model 174 (1972), Levin Royal (1951), Levin LM-26 (1959), Levin Model 65 (1942), Goya T-18 (1966), Levin […]
[…] Wilkinson’s WJ44CRGD which comes with cream buttons, not that horrible green tinted ones. My Levin 174 and K. Yairi TG-40 got upgraded with the amazing looking Art Deco inspired […]
[…] Levin Model 174 Made in Sweden 1972 […]
[…] (1966), Levin LT-18 (1968), Goya T-18 (1966), Goya T-23 (1966). I didn’t include my 1972 Levin 174 in the picture since the head shape is different and it didn’t really match the others, even […]
Hi! I just bought a 174 and was just wondering if you know of any place where you can get replacements for the plastic saddle pins? I’m not in need of any right at this moment but it would be good to know.
Thanks!
/Johan
No idea, perhaps some luthier in Sweden might sit on some spare parts. The last Levin I got with plastic saddles I replaced the whole bridge on. I really don’t like them, I prefer bone.
https://claescaster.com/2016/11/10/how-to-carve-a-bridge-3/
[…] Levin Model 174, Made in Sweden 1972, 1150€ 1000€ In 1969 Levin replaced it’s flagship model the Levin LT-18 with the Levin Model 174, marketed in the UK as the Super Goliath Model 1855. The Levin Model 174 still had the characteristic bass side pearloid block inlays, ebony fretboard and bridge, alpine spruce top with flamed maple back and sides, but now came with the large headstock and individual height adjustable saddles. This example of the Levin Model 174 is quite unique since it has a dovetail neck-joint instead of the usual Levin bolt-on neck system. The guitar is in great shape and sounds amazing, really deep, warm and woody, like a good Levin dreadnought should. The original Van Gent machine heads has been replaced at some point and now it has Wilkinson WJ-309 in gold on, for that Art Deco look. Overall a great Levin guitar and very hard to find outside the US. You can read more about the guitar here and listen to it in this Youtube clip. […]