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Tag: Levin / Goya

Goya T-16

Goya T-16, made in Sweden by Levin in 1966Goya T-16, made in Sweden by Levin in 1966

I found another Goya T-16 that I couldn’t resist. I’m not sure why I love these so much, if it’s the sound, shape or the fact that my dad’s old Levin LT-16 was my first guitar. This one seems to have had a crack in the lower bout on the bottom side and when that was fixed they gave the side a light burst to cover it and then lacquered the whole guitar. Back in the 1960’s when these guitars left the factory in Sweden, the Levin LT-16 came with a really nice satin finish and the Goya T-16 with a high gloss that cracked over time. The previous Goya T-16 was sanded down and this one had an extra coat of lacquer so I guess people weren’t entirely happy with the finish on these. They both sounds very different, the old one sounds more woody and dry and this one has a clearer snappier sound, I presume because of the lacquer. I really like the look of the top, more orange and pre-war Martin looking than the normal Goya T-16.

Goya T-16, made in Sweden by Levin in 1966Goya T-16, made in Sweden by Levin in 1966Goya T-16, made in Sweden by Levin in 1966I bought this 1966 Goya T-16 from an eBay seller in Illinois but I guess it first landed at Lynn’s Guitars in Knoxville Tennessee when it came from Sweden in the 1960’s.

Levin LT-16 / Goya T-16
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top, mahogany back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Single-bound rosewood fingerboard with bass side pearloid dot inlay. Rosewood bridge, nickel plated individual Van Gent tuners with metal buttons. Matte natural finish and ten year warranty

Goya T-16, made in Sweden by Levin in 1966I removed the bridge and pickguard, scraped of the lacquer and then re-glued them. I also adjusted the neck angle by removing the bolts inside and then sanded down the heel a bit with a sandpaper, just like I did on the old Goya T-16.

Goya T-16, made in Sweden by Levin in 1966The headstock had some fine cracks that I filled with fish glue and then polished up. I cut a new bone saddle that I painted to match the old Levin Galalith saddle and then I cleaned up the fretboard and polished the frets.

Goya T-16, made in Sweden by Levin in 1966My collection of 000-sized Levin guitars so far, from left to right: Levin LS-16 (1963), Goya T-16 (1965), Goya T-16 (1966), Levin LT-16 (1966), Goya GG-172 (1970)

 

Levin LS-16

Levin LS-16 Made in Sweden 1963Levin LS-16 Made in Sweden in 1963

I was offered to buy a 1963 Levin LS-16 from a Swedish collector just before Christmas last year. Of course I jumped on the chance, not only is it a really rare bird, most of them were branded Goya S-16 and sent off to the US, but I had also been looking for another guitar like my dad’s old 1966 Levin LT-16 for quite a while. Unfortunately this Levin LS-16 got stuck in Sweden for a year, my mum didn’t want to send it so I couldn’t bring it back to Spain until I went back home for a funeral now in November. In the time of it’s absence I managed to find and restore a really nice sounding 1965 Goya T-16  so now I suddenly have 3 Grand Concert sized Levin guitars from the mid-60’s. Not that I complain, I really like both the sound and the playability of these guitars and this last one is probably the best sounding of all of them. According to Vintage Guitars Sweden, the most resourceful site about Levin guitars, the main difference between the Levin LS-16 and Levin LT-16 is the bracing pattern. The LS is supposed to be ladder braced but mine is X-braced just like the LT-series, I think that became standard in the early 1960’s. They also have different machine heads, dot inlays in the fretboard and I think that the LS-series have a bit more V-shaped neck profile.

Levin LS-16 Made in Sweden 1963Levin LS-16 Made in Sweden 1963

Levin LS-16 / Goya S-16
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top, mahogany back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Metal Levin truss rod cover with a star and “1900”. Single-bound rosewood fingerboard with centred pearl dot inlay. Rosewood bridge, nickel plated strip tuners. Natural finish and ten year warranty

 

Guitars for sale

Martin SPD-16R Made in USA1999Martin SPD-16R, Made in USA 1999, 1500€ SOLD
Martin SPD-16R is a Special Edition Dreadnought from Martin guitars. Spruce top and Indian Rosewood back and sides with forward shifted scalloped X bracing. Performance taper, low oval mahogany neck with rosewood fretboard and bridge. Snowflake inlays, abalone rosette and a D-45 style back strip with gold Martin stamped machine heads. Produced in USA between 1996-2001. The guitar is in fantastic shape for being 18 years old with hardly any scratches and no fretware. The top has a hairline crack from the bridge down which has cracked the lacquer but not the wood. SPD-16R stands for Special edition, Dreadnought, 16-series in Rosewood. This guitar looks great and sounds amazing, you can read more about it here and listen to it in this Youtube clip.

Gibson J-45 ADJ 1965 Made in USAGibson J-45 adj, Made in USA 1965, 2300€ SOLD
An awesome looking Gibson J-45 ADJ, built in the Kalamazoo factory in 1965. It’s the classic round shouldered Gibson dreadnought, natural finish spruce top, mahogany back and sides, rosewood fretboard and bridge. All original except for the refinish which turned this J-45 in to a J-50. Apparently this was done in the early 1970’s when the slight separation in the tops mid seam was glued. The guitar looks really great, worn but still well preserved for being 50  years old. The sound is just amazing, it has that typical Gibson bass response that you can hear on the early records of James Taylor and Jackson Browne. I cut a new bone saddle for it but it comes with it’s original adjustable rosewood bridge. It has an endpin jack already installed so it’s ready to play live, just ad a pickup. A brand new flight case is included to protect the guitar. The action is low and there are no structural issues with this guitar, just the normal marks and scratches. You can read more about the guitar here and listen to it in this Youtube clip.

Gibson B-15 Made in USA 1969Gibson B-15, Made in USA 1969, 1200€ SOLD
This 1969 Gibson B-15 sounds and plays great and is pretty good shape for it’s age. There is a lot of scratches and wear to the top and sides but the are no cracks or structural issues. It’s all original and even comes with the Gibson made alligator chipboard case. The action is good and the frets has very little wear. The B-15 was an all solid model with a natural finished mahogany body, a mahogany stained spruce top and rosewood fretboard and bridge. Gibson referred to the B-series as student models at the time which is a bit misguiding considering what a student guitar sounds like today. These have great even tone and pretty amazing sustain for the size, a perfect little blues machine. You can read more about the guitar here and listen to it in this Youtube clip.

Harmony Monterey, Made in USA 1950's 784H1325Harmony Monterey H1325, Made in USA 1950’s, 550€ SOLD
Very cool looking US made archtop from the late 1950’s. Solid spruce top with birch back and sides, 16 1/2 in wide grand auditorium size, steel reinforced neck. This guitar is all original and even comes with the original case. There is a glued crack on the side but no other issues. It sounds great, loud and clear acoustically. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000, Made in Japan 1973, 1700€ SOLD
This is the top of the line, the fanciest guitar that K. Yairi built. Their Martin D-45 copies are legendary for their sound and build quality. This guitar has real Brazilian Rosewood back and sides and a beautifully aged solid spruce top. Real abalone inlays all around and the typical Martin volute where the head and neck meet. At the moment this guitar has Wilkinson WJ28NGD open gear machine heads in gold fitted but I still have the original K. Yairi machine heads. It’s all original except for the bridge which is a brand new hand cut and shaped replacement in ebony with a bone saddle and ebony bridge pins. The guitar is in great shape for being 43 years old but there are a couple of scratches to the top, one big one close to the bottom. The neck is straight, trussrod works and the action is low. The guitar sounds amazing, so deep and clear at the same time. These K. Yairi YW-1000 are extremely rare in Europe and without any doubt the closest you can get to a real 1970’s Martin D-45. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s, 700€ SOLD
Nice Martin D-42 copy with real abalone hexagon inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with some scratches, one slightly larger on the top. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s,650€ SOLD
Great looking Martin D-42 copy with snowflake inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with scratches and marks around the body. It has Wilkinson WJ28NGD open gear machine heads in gold installed now but the original will be included. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-40 1973Morris W-40, Made in Japan by Terada 1973, 500€ SOLD
A pretty early Morris and a very nice looking Martin D-45 copy, made by Terada in Japan, the factory that makes Gretsch and Orville. Solid spruce top with a really nice 3-piece back of Brazilian rosewood and maple. The inlays are real abalone hexagon inlays and I still have the original machine heads if chrome is preferred to gold. It has it’s fair share of scratches and has been played a lot over the past 42 years but it has no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is just amazing, really deep bass but with good clarity and great projection. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. It’s still one of my favourites but now I have too many Morris guitars and have to get rid of some. You can read more about the guitar here and listen to it in this Youtube clip.

Morris WL-35 Made in Japan 1970'sMorris WL-35, Made in Japan 1970’s, 400€ SOLD
A really cool looking Johnny Cash Guild copy. It’s in great condition except for one flaw, the end pin has been pushed in at one point and cracked the lacquer. It’s not as bad as it sounds and it doesn’t really affect anything but I thought it would be worth mentioning. I’m pretty sure it’s mahogany back and sides, it has a really warm and nice sound and is a great playing guitar. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. You can read more about the guitar here and listen to it in this Youtube clip.

K.Yairi TG-40 Made in Japan 1977K. Yairi TG-40, Made in Japan 1977, 700€ SOLD
A very rare and unique K. Yairi copy of the famous Guild D-40, which itself was introduced in the Sixties as a competitor to Gibson’s J-45. The Guild D-40 became famous as the Bluegrass guitar for their even response over all the strings and I have to say that this K. Yairi TG-40 sounds amazing. Solid spruce top, sides and back in solid mahogany, neck in Honduras mahogany, bridge and Fretboard in black ebony. The guitar is all original except for the pickguard, which was replaced with an official Guild pickguard, the old one was cracked. It has an end pin jack and strap button fitted and at the moment Wilkinson WJ-309 Art Deco machine heads in gold but I still have the original machine heads if chrome is preferred to gold. The top and back has a few scratches but no structural issues. It plays really well and has an amazing tone, very loud and clear with a great punch in the mid-range. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-130 Made in Japan 1977K. Yairi YW-130, Made in Japan 1977, 550€ SOLD
This is a quite accurate Martin D-28 copy made in Japan by K. Yairi in 1977. It’s really light and beautiful sounding, very responsive and a joy to play. Solid spruce top, rosewood back and sides with a smooth ebony fretboard. It has it’s fair share of scratches and a couple of dents to the top but no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is great, very clear with great harmonics. It has a strap button fitted and at the moment Wilkinson open back machine heads in gold but I still have the original machine heads if chrome is preferred to gold. You can read more about the guitar here and listen to it in this Youtube clip.

IMG_9283Levin Model 13 Ambassadör, Made in Sweden 1950, 600€ SOLD
This is a beautiful Levin Model 13 Ambassadör, hand built in Gothenburg Sweden in 1950. If you are not familiar with this classic Swedish brand Levin, click on the link to read more about it. It was restored a few years ago by GammelGura, a great luthier in Örnsköldsvik, Sweden. With new bronze frets, a neck re-set, cracks glued and a new bridge was created to improve the intonation, the rest is all original. It even has the sticker on the back of the head from the guitar shop in Örnsköldsvik where the guitar was bought 65 years ago. It’s a fairly small ladder braced 12-fret guitar with a big sound because of the body width, 400 mm. All solid woods, as always with Levin. Spruce top, walnut back and sides, 4-ply bound top, single-bound back. Mahogany neck with non-adjustable T-shaped duraluminum truss rod. Single-bound rosewood fingerboard with 18 frets and pearloid dot inlay. Single-bound headstock, rosewood bridge, nickel plated individual tuners. Sunburst finish, very similar to the Gibson sunburst of the 1940-50’s, and 10 years warranty. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Model 65 parlour guitar Made in Sweden 1942Levin Model 65, Made in Sweden in 1942, 550€ SOLD
A nice little parlour guitar from Levin, made during World War II in Gothenburg Sweden. It’s just 315 mm wide so it’s a perfect little ladder braced blues machine. All solid woods, spruce top, birch back and sides with walnut fretboard, brass machine heads and nickel plated tailpiece. The guitar is all original, I carved a new bridge for lowering the action but the original will be included in the sale. The neck is really fat and nice and feels great to play. A perfect parlour for blues picking. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström Western 6 Made in Sweden 1978Hagström Western 6, Made in Sweden in 1978, 650€ SOLD
A very rare Hagström Western 6 Missouri made in 1978 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s both stunning to look at, a joy to play and it sounds great. It has the same head, fretboard and inlays as the legendary Hagström Suede electric guitars had in the 1970’s. Spruce top with X-bracing, mahogany back and sides. 4-ply bound top and bound back. Unbound ebony fingerboard, rosewood bridge, mahogany neck. Matte natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström B-60 Made in Sweden 1975Hagström B-60, Made in Sweden by Bjärton in 1975, 500€ SOLD
This great looking Gibson J-50 copy was made in 1975 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s made out of all solid woods and it’s a very nice sounding guitar, even though it has a bolt-on neck, I guess the solid woods and massive neck block is helping with the sound. Spruce top with X-bracing, mahogany back and sides with a nice mahogany bolt-on neck, unbound rosewood fingerboard, Single-bound top and back, rosewood pin bridge. Van Gent machine heads, just like Levin, natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

Goya T-16

Levin Goya T-16 Made in Sweden 1965Goya T-16, made in Sweden by Levin in 1965

I finally managed to get another Levin LT-16, just like my dad’s old guitar that I learned to play on as a kid. His is a 1966 Levin branded one and this one is from 1965 and has the Goya logo on the head stock. These guitars normally don’t come up for sale that often, I guess because they are really well sounding and perhaps the 000-size is very sought after too. It took two years but finally I managed to get my hands on one, in bad shape when it arrived but now fully playable again.

Levin Goya T-16 Made in Sweden 1965Levin Goya T-16 Made in Sweden 1965Levin Goya T-16 Made in Sweden 1965

Levin LT-16 / Goya T-16
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm. Fingerboard width: 43 mm, scale length: 630 mm. Spruce top, mahogany back and sides, 4-ply bound top, single-bound back. Mahogany bolt-on neck with adjustable truss rod. Single-bound rosewood fingerboard with bass side pearloid dot inlay. Rosewood bridge, nickel plated individual Van Gent tuners with metal buttons. Matte natural finish and ten year warranty

Levin Goya T-16 Made in Sweden 1965There was quite a lot of work on this one. First I re-hydrated the guitar for a week, just a wet sock in a bowl inside, which made the cracks close up quite a lot. I removed the bridge and the pickguard and glued all the cracks on the top and reattached the back that was coming loose. I also flattened the top, it had a bit of a belly that I managed to get down with a flat piece of wood covering the top that I clamped down for a couple of days.

Levin Goya T-16 Made in Sweden 1965I re-glued the bridge and replaced the 10 cm of missing binding. Someone had also sanded down the neck, which I hate, so lacquered it with a couple of coats of Nitro and sanded it smooth. 

Levin Goya T-16 Made in Sweden 1965Levin guitars normally lack side dots for the 9th and 12th fret, which always confuse me while playing, so I added 3 dots. I reattached the pick-guard and cleaned up the original Van Gent machine heads. Levin uses a rather clever bolt-on neck system which makes neck-resets very easy. You just loosen the two bolts inside and then you can sand down the heel, it takes time but it was easier than removing the whole neck.

Rondo

Rondo by Levin Made in Sweden 1960Rondo, built by Levin in Gothenburg Sweden in 1960

Today is wife’s birthday so tried to be a good husband and got here an old guitar. I found her a little Rondo, a mail order guitar built by Levin in the late 1950’s. I have actually never seen one of these before so I was quite exited when it arrived. It surely feels, plays, smells and sounds like a Levin. Rondo was made by Levin for Musik AB Westin & Co, a music store and publishing company in Stockholm with a large mail order business. It looks pretty similar to a Levin 119 and was made for both steel and nylon strings, this was pretty common on smaller Levin guitars in the 1950-60’s. It’s a very nice little guitar to play and it has more volume and sounds sweeter than I expected, perhaps because it’s fan braced instead of ladder braced. My wife seemed very happy with it too when she got it this morning.

Rondo by Levin Made in Sweden 1960Rondo by Levin Made in Sweden 1960

Rondo
Non-cutaway. Body width: 320 mm, body length: 455 mm
Body depth: 95 mm, scale length: 595 mm
Spruce top, maple back and sides, fan braced
Single-bound top, unbound back, unbound headstock
Unbound rosewood fingerboard with pearl dot inlay
Mahogany neck with non-adjustable T-shaped duraluminum truss rod, rosewood bridge, stainless tuners
Natural finish, one year warranty

Rondo by Levin Made in Sweden 1960It was in pretty good shape when it arrived. I had to glue a couple of small cracks, polish the frets, oil fretboard and machine heads and give her a good clean but that was it. The only problem was that this had to be done when my wife wasn’t around so I’ve been a guitar repairing ninja for the last week.

Rondo guitar, Musik AB Westin & Co 1957 catalogueThe Levin built Rondo guitar in a 1957 catalogue from Musik AB Westin & Co

Grammer Guitar

The Grammer Guitar

As mentioned before, there are two guitars that I really would like to own. The first would be a Gibson J-50, ideally from before 1970. The Second would be a mid 1970’s K. Yairi YW-1000, the most beautiful Martin D-45 copy ever made. Having said that, I might have to add a third guitar in my list of holy grails, a Grammer Guitar. Imagine to find an original, before Ampeg took over, The Grammer Guitar RG&G, built by Billy and the boys in Nashville, Tennessee. Here you can read the history of the Grammer Guitar, it’s a pretty interesting story, especially if you like country music as I do. In the mid 1960’s Billy Grammer, a musician himself, decided to make an affordable flat top guitar for his friends in the Country music business. He took a Gibson J-45 and a Martin D-18 apart, studied their bracing pattern and how they were built and then made a copy with the best of both worlds, The Grammer Guitar. Maybe the reason I like them so much is because they remind me of my big headed Levin guitars from the 1970’s.

The Last Grammer Guitar made by RG&G The Last Grammer Guitar made by RG&G, built in 1968 on 715 Poplar Avenue in Nashville, Tennessee

I’m not much of a Joe Bonamassa fan but he plays a 1969 Grammer Johnny Cash model, I mainly respect him for taking his vintage guitars on tour and using them instead of just collection them. The Guitar Of The Week part on the Joe Bonamassa’s site is well worth a visit if you like old guitars.

361c60d0790243daad993f5778eb7fcd Joe Bonamassa’s 1969 Grammer Johnny Cash model, here is a Youtube clip of him playing it live

Here is Billy when he was young and awesome

And here is Billy when he is old and blind, but still kind of awesome

 

Ad of the day

Back from the grave, Goya 174 ad from 1970 2
Back from the grave, Goya 174 ad from 1970

It seems like I will soon be the proud owner of an early 1970’s Levin 174. A nice Danish chap by the name of Orla wrote a comment on my previous post about Levin, saying that he had one for sale. I will write more about it as soon as I get it but for now, enjoy this Goya ad for the same guitar from 1970.