Claescaster

Tag: Japanese guitar brands

Vorg by Pearl

Vorg by Pearl Telecaster Made in JapanVorg by Pearl, built in Japan by Matsumoku in the mid 1970’s

I recently got myself a Vorg Telecaster. These where built by Pearl in the Matsumoku factory and named Vorg for the German market. The previous owner claimed that it was built in 1977 since the serial starts with 7 which could be true, it’s built in the mid 1970’s for sure. It’s all original except for the machine heads which has been upgraded to a set of Schaller. The guitar has been converted to a string through with bushings on the back instead of being top-loaded something that obviously improved the sustain and overall tone. The original pickups looks like they were made by Maxon, something that makes perfect sense for a Matsumoku built guitar of that time. The neck is fantastic, really chunky for being a Japanese guitar. It’s a great sounding and playing Japanese Telecaster that I unfortunately can’t keep. I bought it for my birthday last month but the same week I found another late 1970’s Fender Telecaster so this Vorg has to go. It’s for sale here.

Vorg by Pearl Telecaster Made in Japan

Guitars for sale

Martin SPD-16R Made in USA1999Martin SPD-16R, Made in USA 1999, 1500€ 1300€
Martin SPD-16R is a Special Edition Dreadnought from Martin guitars. Spruce top and Indian Rosewood back and sides with forward shifted scalloped X bracing. Performance taper, low oval mahogany neck with rosewood fretboard and bridge. Snowflake inlays, abalone rosette and a D-45 style back strip with gold Martin stamped machine heads. Produced in USA between 1996-2001. The guitar is in fantastic shape for being 18 years old with hardly any scratches and no fretware. The top has a hairline crack from the bridge down which has cracked the lacquer but not the wood. SPD-16R stands for Special edition, Dreadnought, 16-series in Rosewood. This guitar looks great and sounds amazing, you can read more about it here and listen to it in this Youtube clip.

Gibson J-45 ADJ 1965 Made in USAGibson J-45 adj, Made in USA 1965, 2300€ SOLD
An awesome looking Gibson J-45 ADJ, built in the Kalamazoo factory in 1965. It’s the classic round shouldered Gibson dreadnought, natural finish spruce top, mahogany back and sides, rosewood fretboard and bridge. All original except for the refinish which turned this J-45 in to a J-50. Apparently this was done in the early 1970’s when the slight separation in the tops mid seam was glued. The guitar looks really great, worn but still well preserved for being 50  years old. The sound is just amazing, it has that typical Gibson bass response that you can hear on the early records of James Taylor and Jackson Browne. I cut a new bone saddle for it but it comes with it’s original adjustable rosewood bridge. It has an endpin jack already installed so it’s ready to play live, just ad a pickup. A brand new flight case is included to protect the guitar. The action is low and there are no structural issues with this guitar, just the normal marks and scratches. You can read more about the guitar here and listen to it in this Youtube clip.

Gibson B-15 Made in USA 1969Gibson B-15, Made in USA 1969, 1200€ SOLD
This 1969 Gibson B-15 sounds and plays great and is pretty good shape for it’s age. There is a lot of scratches and wear to the top and sides but the are no cracks or structural issues. It’s all original and even comes with the Gibson made alligator chipboard case. The action is good and the frets has very little wear. The B-15 was an all solid model with a natural finished mahogany body, a mahogany stained spruce top and rosewood fretboard and bridge. Gibson referred to the B-series as student models at the time which is a bit misguiding considering what a student guitar sounds like today. These have great even tone and pretty amazing sustain for the size, a perfect little blues machine. You can read more about the guitar here and listen to it in this Youtube clip.

Harmony Monterey, Made in USA 1950's 784H1325Harmony Monterey H1325, Made in USA 1950’s, 550€ SOLD
Very cool looking US made archtop from the late 1950’s. Solid spruce top with birch back and sides, 16 1/2 in wide grand auditorium size, steel reinforced neck. This guitar is all original and even comes with the original case. There is a glued crack on the side but no other issues. It sounds great, loud and clear acoustically. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000, Made in Japan 1973, 1700€ SOLD
This is the top of the line, the fanciest guitar that K. Yairi built. Their Martin D-45 copies are legendary for their sound and build quality. This guitar has real Brazilian Rosewood back and sides and a beautifully aged solid spruce top. Real abalone inlays all around and the typical Martin volute where the head and neck meet. At the moment this guitar has Wilkinson WJ28NGD open gear machine heads in gold fitted but I still have the original K. Yairi machine heads. It’s all original except for the bridge which is a brand new hand cut and shaped replacement in ebony with a bone saddle and ebony bridge pins. The guitar is in great shape for being 43 years old but there are a couple of scratches to the top, one big one close to the bottom. The neck is straight, trussrod works and the action is low. The guitar sounds amazing, so deep and clear at the same time. These K. Yairi YW-1000 are extremely rare in Europe and without any doubt the closest you can get to a real 1970’s Martin D-45. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s, 700€ SOLD
Nice Martin D-42 copy with real abalone hexagon inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with some scratches, one slightly larger on the top. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s,650€ SOLD
Great looking Martin D-42 copy with snowflake inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with scratches and marks around the body. It has Wilkinson WJ28NGD open gear machine heads in gold installed now but the original will be included. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-40 1973Morris W-40, Made in Japan by Terada 1973, 500€ SOLD
A pretty early Morris and a very nice looking Martin D-45 copy, made by Terada in Japan, the factory that makes Gretsch and Orville. Solid spruce top with a really nice 3-piece back of Brazilian rosewood and maple. The inlays are real abalone hexagon inlays and I still have the original machine heads if chrome is preferred to gold. It has it’s fair share of scratches and has been played a lot over the past 42 years but it has no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is just amazing, really deep bass but with good clarity and great projection. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. It’s still one of my favourites but now I have too many Morris guitars and have to get rid of some. You can read more about the guitar here and listen to it in this Youtube clip.

Morris WL-35 Made in Japan 1970'sMorris WL-35, Made in Japan 1970’s, 400€ SOLD
A really cool looking Johnny Cash Guild copy. It’s in great condition except for one flaw, the end pin has been pushed in at one point and cracked the lacquer. It’s not as bad as it sounds and it doesn’t really affect anything but I thought it would be worth mentioning. I’m pretty sure it’s mahogany back and sides, it has a really warm and nice sound and is a great playing guitar. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. You can read more about the guitar here and listen to it in this Youtube clip.

K.Yairi TG-40 Made in Japan 1977K. Yairi TG-40, Made in Japan 1977, 700€ SOLD
A very rare and unique K. Yairi copy of the famous Guild D-40, which itself was introduced in the Sixties as a competitor to Gibson’s J-45. The Guild D-40 became famous as the Bluegrass guitar for their even response over all the strings and I have to say that this K. Yairi TG-40 sounds amazing. Solid spruce top, sides and back in solid mahogany, neck in Honduras mahogany, bridge and Fretboard in black ebony. The guitar is all original except for the pickguard, which was replaced with an official Guild pickguard, the old one was cracked. It has an end pin jack and strap button fitted and at the moment Wilkinson WJ-309 Art Deco machine heads in gold but I still have the original machine heads if chrome is preferred to gold. The top and back has a few scratches but no structural issues. It plays really well and has an amazing tone, very loud and clear with a great punch in the mid-range. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-130 Made in Japan 1977K. Yairi YW-130, Made in Japan 1977, 550€ SOLD
This is a quite accurate Martin D-28 copy made in Japan by K. Yairi in 1977. It’s really light and beautiful sounding, very responsive and a joy to play. Solid spruce top, rosewood back and sides with a smooth ebony fretboard. It has it’s fair share of scratches and a couple of dents to the top but no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is great, very clear with great harmonics. It has a strap button fitted and at the moment Wilkinson open back machine heads in gold but I still have the original machine heads if chrome is preferred to gold. You can read more about the guitar here and listen to it in this Youtube clip.

IMG_9283Levin Model 13 Ambassadör, Made in Sweden 1950, 600€ SOLD
This is a beautiful Levin Model 13 Ambassadör, hand built in Gothenburg Sweden in 1950. If you are not familiar with this classic Swedish brand Levin, click on the link to read more about it. It was restored a few years ago by GammelGura, a great luthier in Örnsköldsvik, Sweden. With new bronze frets, a neck re-set, cracks glued and a new bridge was created to improve the intonation, the rest is all original. It even has the sticker on the back of the head from the guitar shop in Örnsköldsvik where the guitar was bought 65 years ago. It’s a fairly small ladder braced 12-fret guitar with a big sound because of the body width, 400 mm. All solid woods, as always with Levin. Spruce top, walnut back and sides, 4-ply bound top, single-bound back. Mahogany neck with non-adjustable T-shaped duraluminum truss rod. Single-bound rosewood fingerboard with 18 frets and pearloid dot inlay. Single-bound headstock, rosewood bridge, nickel plated individual tuners. Sunburst finish, very similar to the Gibson sunburst of the 1940-50’s, and 10 years warranty. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Model 65 parlour guitar Made in Sweden 1942Levin Model 65, Made in Sweden in 1942, 550€ SOLD
A nice little parlour guitar from Levin, made during World War II in Gothenburg Sweden. It’s just 315 mm wide so it’s a perfect little ladder braced blues machine. All solid woods, spruce top, birch back and sides with walnut fretboard, brass machine heads and nickel plated tailpiece. The guitar is all original, I carved a new bridge for lowering the action but the original will be included in the sale. The neck is really fat and nice and feels great to play. A perfect parlour for blues picking. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström Western 6 Made in Sweden 1978Hagström Western 6, Made in Sweden in 1978, 650€ SOLD
A very rare Hagström Western 6 Missouri made in 1978 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s both stunning to look at, a joy to play and it sounds great. It has the same head, fretboard and inlays as the legendary Hagström Suede electric guitars had in the 1970’s. Spruce top with X-bracing, mahogany back and sides. 4-ply bound top and bound back. Unbound ebony fingerboard, rosewood bridge, mahogany neck. Matte natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström B-60 Made in Sweden 1975Hagström B-60, Made in Sweden by Bjärton in 1975, 500€ SOLD
This great looking Gibson J-50 copy was made in 1975 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s made out of all solid woods and it’s a very nice sounding guitar, even though it has a bolt-on neck, I guess the solid woods and massive neck block is helping with the sound. Spruce top with X-bracing, mahogany back and sides with a nice mahogany bolt-on neck, unbound rosewood fingerboard, Single-bound top and back, rosewood pin bridge. Van Gent machine heads, just like Levin, natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

How to… carve a bridge

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 a Martin D-45 copy made in Kani, Japan in 1973

It’s been a while since I posted anything in my little DIY series, How to…, like me previous post about How to… reset a Levin neck or remove a bridge. I did carve a little floating bridge for my Levin 65 over a year ago but now it was finally time to carve a proper ebony bridge for my K. Yairi YW-1000.

K. Yairi YW-1000 Made in Japan 1973I thought about getting a pre-made Allparts ebony bridge at first but felt that it would be more fun to make one myself from scratch instead. I ordered some rosewood and ebony blanks from Madinter, it thought it could be good to have some extra at home, and got started. First I removed the old bridge, it had two screws that was a bit tricky to get out but eventually I figured it out. I removed the bridge with a spatula that I heated on a normal clothes iron, it works like a charm every time. Start in a corner and work yourself towards the middle and be careful when it starts to loosen up so you don’t break it off and chip the top, it should come off slowly and without force. I planed the ebony blank and then used a cabinet scraper to get it even. I copied the old bridge and drilled the holes straight away. It felt easier to do this before the bridge was shaped, it would also have saved me a lot of time in case I messed up the holes and had to start all over again. Luckily everything went fine.

K. Yairi YW-1000 Made in Japan 1973Once the bridge was sawed in to a good size, I made it a couple of millimetres bigger on all sides, I drew the outlines of the final shape. I mounted the bridge blank on a piece of scrap wood with two screws so I could more easily work all around with the bridge firmly secured. I used a chisel to carve out the shape on the sides and from the top down towards the wings. I got a good round shape with a half round rasp and then it was just a hell of a lot of sanding to remove all the lines from the rasp and to get it smooth and nice.

K. Yairi YW-1000 Made in Japan 1973I glued the bridge on and after 3 days I strung up both E-strings and used a drill as a saddle so I could move it around until I got the intonation right, I forgot to take a picture of that. I marked out the saddle and then sawed a 3 mm slot. Next step was to create a bone saddle to match and string it up. Easy peasy, well it was a hard days work but it was easier that I thought.

Fuji F310

Fuji F310, Kurosawa by Matsumoto Made in JapanFuji F310, made by Kurosawa guitar in Matsumoto, Japan

I recently found a little Fuji F310, a 000-sized Japan made acoustic. The guitar was made by Kurosawa guitar in the Matsumoku factory in the late 1960’s. It says Matsumoto factory on the label and that seems to have been the original name of the Matsumoku factory before they grew too big and had to move, the old Matsumoku factory was in the city of Matsumoto. It’s in great shape for the age and has a great tone, these folk sized Japanese acoustics are pretty hard to come by, especially here in Spain. It’s made with really nice looking tone woods, the rosewood back is beautiful and so is the fretboard. The neck is really fat and feels great, a bit like a 58′ Les Paul and if I needed another 000 I would have kept it myself but I have three Levin guitars in this size. I bought the Fuji F310 for my wife but her hands are too small for the neck and therefore it’s up for sale.

Fuji F310, Kurosawa by Matsumoto Made in JapanFuji F310, Kurosawa by Matsumoto Made in JapanA changed the bridge pins and put in a bone saddle, straightened up the neck and polished the frets. There was a pretty nasty dent on the back of the neck, close to the body, that I filled, painted and lacquered over.

 

Luxor 42-274

Luxor 42-274, Dove copy made in Japan by Ibanez 1970's Luxor 42-274,  Dove copy made in Japan by Ibanez 1970’s

A few weeks ago I got myself my first Luxor guitar, just like C.G. Winner it’s a brand that you see a lot of in Germany but no one outside have ever heard of it. It’s a really well built Dove copy from the 1970’s in great shape, most likely made in the Matsumoku factory in Japan by Ibanez. What we know for sure is that Luxor was a made by Ibanez and imported by Musikhaus Otto Manfred Hack, Göttingen, Germany. This was pretty common in the 1960-70’s that guitars, especially Ibanez, were imported without a brand name on them since it was cheaper and then the importer put their own chosen name on them, like Penco in the US, imported by Philadelphia Music Company, or Antoria or CSL in the UK, imported by Charles Summerfield Ltd, just to name a few. Penco, Antoria and Luxor are all linked to Hoshino Gakki, the owner of the Ibanez but they all claim to have been made in different factories, this is a bit of a problem with Ibanez since it’s just brand, not a factory. Ibanez produced guitars both in the Matsumoku and FujiGen factory, and probably in some others too, so it’s very hard to know what was made where. Ibanez and Cimar, a sub-brand of Ibanez, claims to have been made by FujiGen, while Luxor and a lot of other brands owned by Hoshino Gakki were made by Matsumoku. Having said that, the quality of this Luxor is made with Ibanez standards and not like a lot of the no branded inferior ones that Matsumoku mass produced in the 1970’s. Here you can read more about Japanese guitar brands. Either way, it’s a fabulous looking Dove copy, a pure joy to play and it sounds great. Unfortunately I managed to buy a couple of more guitars than I first intended over the summer so this Luxor 42-274 is for sale.

Luxor 42-274, made in the Matsumoku factory in Japan by Ibanez in the 1970'sLuxor 42-274, made in the Matsumoku factory in Japan by Ibanez in the 1970'sLuxor 42-274, made in the Matsumoku factory in Japan by Ibanez in the 1970’s. Imported to Germany by Musikhaus Otto Manfred Hack in Göttingen

 

K. Yairi YW-1000

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000, made in Japan in 1973

Since it’s my 35th birthday today I’m going to post this guitar even though it’s not 100% ready yet, it was my birthday present to myself. As I mentioned earlier I recently became the proud owner of a 1973 K. Yairi YW-1000. It’s something I’ve dreamed of for many years and after a bit of hassle it finally arrived. The previous owner didn’t really give much of a description so I wasn’t really sure what to expect. Luckily it sounds at least as good as I had hoped for, if not better and it’s structurally fine. Having said that, there were a couple of things that I wasn’t overly excited about, like the bridge and the scratches on the top. I don’t mind worn guitar but there is one big scratch that is still a real eyesore for me, I’m sure I will get used to it and not even see it in a few weeks. The bridge is a chapter for itself, I really don’t know what has been going on there. It has been removed at some point and re-glued, it also has two screws that I doubt were supposed to be there and on top of that someone has added a bit of rosewood to make it higher and topped it of with a fret as the saddle instead of a normal slot and bone saddle. As soon as the wood shops open again here in Barcelona, a lot of shops are closed in August, I will get a piece of ebony and create a new bridge from scratch. Since I couldn’t wait a whole month to play the guitar I lowered the bridge and cut a saddle slot and installed a bone saddle for now, which has worked fine. It’s a beautiful guitar, it’s smells wonder full and sounds even better. This is my third K. Yairi and I have to say that it’s without any doubt the best Japanese acoustics I’ve played so far. I really love my K. Yairi YW-130 and K. Yairi TG-40 but nothing sounds as good as this K. Yairi YW-1000.

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 Made in Japan 1973It’s worn and has few scratches but nothing too serious, except for the bridge as mentioned before. I changed the machine heads to Wilkinson WJ28NGD open gear in gold, the original ones were in gold too but most of it had worn off and on top of that they were really heavy. I love all the abalone binding and the hexagon inlays in the ebony fretboard. I’m so gay for bling on guitars, the more the better, perhaps I’m the Liberace of guitars.

K. Yairi YW-1000 Made in Japan 1973As soon as I got the guitar I removed the fret, lowered the bridge by sanding it down and then I cut a proper saddle slot. Apparently the top of the bridge is rosewood on an ebony base so I had to paint the top black to match the rest. The bridge works fine but I’m not happy with how it looks so I will try my best to carve a new one in ebony and replace it.

The fist video is with the old makeshift rosewood bridge that the guitar came with, the second video is with the new ebony bridge that I carved myself from scratch, you can read about it here.

C.G. Winner

CG Winner AO-410 Made in Japan Neck trough late 1970'sC.G. Winner AO-410, Made in Japan 1980’s

About three years ago I came across the brand C.G. Winner for the first time. It was a German eBay seller that had one of these neck through double cut away guitar for sale and even though I wasn’t crazy about the design, I loved the name. My name is Claes Gellerbrink so any brand that has my initials and then the word winner after in their logo must be for me. Years later I stumbled upon one of these and in a weak moment bought it. I didn’t really know what to expect but I actually really like it. The neck is perhaps too long for me, just like an SG, I get confused when 12th fret is almost in the middle of the neck. Having said that, this is the fattest neck I’ve ever held in my hand, that I haven’t made myself, it’s a proper baseball bat. It’s a pretty well balanced guitar and doesn’t feel too neck heavy, like some do. I haven’t had time to play it properly through my Fender amp or played with any effects but I have a feeling this might be a monster with a bit of distortion. After some research a few Germans mentioned that these came with Di Marzio humbuckers, not sure if it’s true, mine are not stamped so it might be plain old Maxon’s. Either way, I’m pretty sure that C.G. Winner were made by Matsumoku in the early 1980’s alongside Aria Pro II, Vantage and Ibanez, which makes perfect sense since all three brands made neck through models very similar to this C.G. Winner. Here is the full story that I found reposted in quite a few Ibanez collector and Matsumoku based forums.

“Clarence Griffith Winner (C.G.Winner), was an American luthier. He was a close friend of Leo Fender, with whom he also worked until the beginning of the eighties, when Leo Fender founded G+L. Around the same time, Winner also founded his own enterprise. He created own collections of guitars, mostly inspired by Gibson. They were produced by Matsumoku of Japan (Aria Pro II, Vantage, Ibanez). Unfortunately Winner was a bad salesman, he refused to invest any money in marketing and advertising, so his guitars ware only known to insiders without a realistic chance on the market. Only a few years later Winner hat to give up his business. In the US C.G. Winner Guitars are well known amongst vintage-collectors, in Germany they are mostly unknown.” Found at the Ibanez Collectors

CG Winner AO-410 Made in Japan Neck trough late 1970'sCG Winner AO-410 Made in Japan Neck trough late 1970'sI only had to clean it up, put on a bone nut and replace the bridge and the knobs

 

Tacoma Stratocaster

Tacoma Stratocaster Made in Japan 1970'sTacoma Stratocaster, made in Japan in the late 1970’s

I haven’t paid much attention to electric guitars lately but then I saw this beautiful looking Tacoma Stratocaster and I couldn’t resist. I actually had a natural wood coloured Japanese Westone Strat that I really liked but sold last year since the neck profile was a bit too flat for my liking. This Tacoma has a neck profile right up there with my Tokai Silver Star SS-36 and my Fender Stratocaster, both made in 1979. I got confused when I bought this Tacoma, the auction was ending and I didn’t have time to do my research. I really thought that Tacoma had something to do with Tama for some reason, but apparently not. The only thing related to Tacoma that I have found so far is that Wutzdog guitars in Germany has two Strats from the mid 1970’s for sale and neither match mine. Mine has a fancy pants real inlay logo on the headstock while theirs have printed logos but then at least one of theirs have grey bottom pickups which I wished mine had too, my Tokai Silver Star SS-36 has that and they sound awesome. This Tacoma has some weird looking brass plate in the bottom but that might good too, I haven’t had time to play this properly through my Fender amp yet. Either way I really like this guitar and the neck is just a pure joy to play.

Tacoma Stratocaster Made in Japan 1970'sTacoma Stratocaster Made in Japan 1970'sI assume the guitar is from the late 1970’s considering the big head and feel of it, but who knows, they might have made Fender copies in the early 1980’s too. There is an American guitar company called Tacoma but I doubt that they have anything to do with these old Japan made guitars. If anyone knows anything about Tacoma then please get in touch.

Tacoma Stratocaster Made in Japan 1970'sThe wood is in great shape and it has a nice weight to it. This is the first time I’ve seen single coils with those heavy brass plates.

Tacoma Stratocaster Made in Japan 1970's pickupsAfter a bit of research I’ve come to think that perhaps my Tacoma was made by FujiGen. The guitar on the left is a Yamaha Super r’n Roller SR-400 and what I gathered they were made by FujiGen in the 1970’s. The guitar in the middle is an early 1970’s Matsumoku built Univox Strat. On the right we have my Tacoma and even though all three looks very similar I still think that the Tacoma and the Yamaha has the most in common.

 

K. Yairi YW-130

K. Yairi YW-130 Made in Japan 1977K. Yairi YW-130 a Martin D-28 copy made in Kani, Japan in 1977

I recently came over a 1977 K. Yairi YW-130, a beautiful Martin D-28 copy. I’ve been looking for a D-28 copy for a while, just out of curiosity to see the difference between the D-35 and D-42 copies that I have. The Morris W-40 and Morris W-50 both have a 3-part back which gives them a lot of bass and punch in the middle so perhaps a Japanese made D-28 copy would be more bell like and balanced, like a real Martin, and I was right. The K. Yairi YW-130 sounds amazing, really clean and even all over, with awesome overtones that sneaks up on you if you let it ring out. It has a solid spruce top, rosewood back and sides with a simple ebony bridge and fretboard. I do love my Morris guitars and I think it’s a great brand, but nothing comes close to K. Yairi. The old K.Yairi TG-40 that I got a year a go is awesome too, but I think I prefer the sound of the new one. Perhaps my acoustic guitar preferences has slightly shifted from the Gibson sound to Martin.

K. Yairi YW-130 Made in Japan 1977K. Yairi YW-130 Made in Japan 1977I didn’t have to do anything to the guitar when I got it, I just changed the machine heads to Wilkinson WJ28NGD open gear in gold which I love. It’s a bit worn and have a few dents in the spruce top that I’m planning to figure out how to soften a bit.

K. Yairi YW-130 Made in Japan 1977I’ve really come to love guitars with the typical Martin volute, just like my Morris W-50, and the double dots on the 7th fret, it’s just beautiful. There is nothing better than a black Ebony fretboard on an acoustic guitar. I thought ebony was like rosewood until I got my Goya T-18 two years ago and it just blow my mind, there is no nicer fretboard material.

K. Yairi YW-130 1970's catalogueK. Yairi YW-130 in a late 1970’s Canadian catalogue, taken from AlvarezYairi

Guitars for sale

Maya F335G Made in Japan 1970sMaya F335G, Dreadnought acoustic, Made in Japan, 1970’s, 200€ SOLD
Japan made Gibson J-50 copy in a pretty good state for it’s age. I couple of marks on the spruce top and few knocks on the head but structurally very sound without any cracks. This Maya F334G was made by Chushin Gakki in Kobe, Japan, during the 1970’s. It has a really fat neck, it’s feels great to play, adjustable bridge with both bone nut and saddle. The sound is very full with a great booming bass. If you want more pictures  you can check the post I wrote about it.

There are a couple of more guitars for sale here