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Hagström Western 6

Hagström Western 6 Made in Sweden 1978Hagström Western 6 Missouri, Made in Sweden 1978

Last week a new Hagström acoustic arrived from Sweden. Just like my 1975 Hagström B-60 this was made by Bjärton in the south of Sweden.  Hagström / Bjärton guitars feels pretty different from Levin, a bit more boxy somehow, less refined. Having said that they are very well sounding guitars with a pretty unique tone, not quite the Gibson bass but that’s the best comparison I can think of. This Hagström Western 6 comes with more or less a Hagström Swede electric guitar neck. Same head shape, inlays and ebony fretboard, I love ebony. These actually came not only with ebony fretboard and bridge, they had ebony nut and saddle too. Mine has a rosewood bridge for some reason but it doesn’t seem to have been re-glued so I assume that someone at the factory took the wrong bridge or just preferred rosewood. Everything can happen in a guitar factory, hence all the mismatched mystery guitars that doesn’t exactly match the catalogue images. I really like this guitar, it looks awesome, sounds great and has something quite Swedish Country about it, a bit like me I guess.

hagstrom-western-6-made-in-sweden-1978-1
hagstrom-western-6-made-in-sweden-1978-2
Hagström Western 6 Made in Sweden 1978The guitar has quite a few battle scars, I presume it has lived through a Swedish midsummer or two. The head has been glued at some point, looks to have been done a very long time ago. There are quite a lot of scratches on the top and the back of the neck had some dents but I filled them so now you can hardly feel it. Notice the double sticker inside, one for Bjärton and then a Hagström on top.

Hagström Western 6 Made in Sweden 1978Hagström Western 6 Made in Sweden catalogue 1978Hagström Western 6 Made in Sweden 1978Hagström Western 6 in a 1979 German Hagström catalogue

Hagström Western 6
Specifications:  Body width: 410 mm, body length: 510 mm, body depth: 120 mm, scale length: 630 mm. Spruce top with X-bracing, mahogany back and sides. 4-ply bound top and bound back. Unbound ebony fingerboard and ebony bridge, mahogany neck.  Matte natural finish and 10 year warranty.  Offered in two versions: Fully acoustic (Western 6) or with pickup and controls (Western 6 EL).  Marketed in Germany as Missouri.  Introduced around 1977.

Hagström Western 6 Made in Sweden 1978Hagström Western 6 and 12 in a 1979 Hagström catalogue

I tried the guitar last night at Alfa en Viu and it sounded pretty good, even with just a cheap removable Belcat pickup

 

Morris W-50

Morris W-50 1970's Made in JapanTF Morris W-50, Made in Japan around 1979

I managed to find another Morris W-50, this time with hexagon inlays instead of snowflakes as on my earlier Morris W-50. They sounds pretty similar, very rich and full tone with clear highs. I guess the 3-piece back is adding to that full sound and of course it makes them very pretty to look at too. In my opinion these TF Morris guitars are almost up there with K. Yairi and the best Japanese builders. It doesn’t look like Brazilian rosewood, but it has some really nice figured dark rosewood back and sides with quilted maple in the middle and a solid spruce top.

Morris W-50 1970's Made in JapanMorris W-50 1970's Made in JapanThe guitar came from a collector in Scotland and was ready to play when it arrived, I didn’t have to do anything to it.

Morris W-50 1970's Made in JapanThe two TF Morris W-50 together, the left one from around 1976 and the right from about 1979

Morris Japan catalogue 1979Morris Japan catalogue 1979Morris Japan catalogue 1979Morris Japan catalogue 1979

Guitars for sale

Martin SPD-16R Made in USA1999Martin SPD-16R, Made in USA 1999, 1500€ 1300€
Martin SPD-16R is a Special Edition Dreadnought from Martin guitars. Spruce top and Indian Rosewood back and sides with forward shifted scalloped X bracing. Performance taper, low oval mahogany neck with rosewood fretboard and bridge. Snowflake inlays, abalone rosette and a D-45 style back strip with gold Martin stamped machine heads. Produced in USA between 1996-2001. The guitar is in fantastic shape for being 18 years old with hardly any scratches and no fretware. The top has a hairline crack from the bridge down which has cracked the lacquer but not the wood. SPD-16R stands for Special edition, Dreadnought, 16-series in Rosewood. This guitar looks great and sounds amazing, you can read more about it here and listen to it in this Youtube clip.

Gibson J-45 ADJ 1965 Made in USAGibson J-45 adj, Made in USA 1965, 2300€ SOLD
An awesome looking Gibson J-45 ADJ, built in the Kalamazoo factory in 1965. It’s the classic round shouldered Gibson dreadnought, natural finish spruce top, mahogany back and sides, rosewood fretboard and bridge. All original except for the refinish which turned this J-45 in to a J-50. Apparently this was done in the early 1970’s when the slight separation in the tops mid seam was glued. The guitar looks really great, worn but still well preserved for being 50  years old. The sound is just amazing, it has that typical Gibson bass response that you can hear on the early records of James Taylor and Jackson Browne. I cut a new bone saddle for it but it comes with it’s original adjustable rosewood bridge. It has an endpin jack already installed so it’s ready to play live, just ad a pickup. A brand new flight case is included to protect the guitar. The action is low and there are no structural issues with this guitar, just the normal marks and scratches. You can read more about the guitar here and listen to it in this Youtube clip.

Gibson B-15 Made in USA 1969Gibson B-15, Made in USA 1969, 1200€ SOLD
This 1969 Gibson B-15 sounds and plays great and is pretty good shape for it’s age. There is a lot of scratches and wear to the top and sides but the are no cracks or structural issues. It’s all original and even comes with the Gibson made alligator chipboard case. The action is good and the frets has very little wear. The B-15 was an all solid model with a natural finished mahogany body, a mahogany stained spruce top and rosewood fretboard and bridge. Gibson referred to the B-series as student models at the time which is a bit misguiding considering what a student guitar sounds like today. These have great even tone and pretty amazing sustain for the size, a perfect little blues machine. You can read more about the guitar here and listen to it in this Youtube clip.

Harmony Monterey, Made in USA 1950's 784H1325Harmony Monterey H1325, Made in USA 1950’s, 550€ SOLD
Very cool looking US made archtop from the late 1950’s. Solid spruce top with birch back and sides, 16 1/2 in wide grand auditorium size, steel reinforced neck. This guitar is all original and even comes with the original case. There is a glued crack on the side but no other issues. It sounds great, loud and clear acoustically. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000, Made in Japan 1973, 1700€ SOLD
This is the top of the line, the fanciest guitar that K. Yairi built. Their Martin D-45 copies are legendary for their sound and build quality. This guitar has real Brazilian Rosewood back and sides and a beautifully aged solid spruce top. Real abalone inlays all around and the typical Martin volute where the head and neck meet. At the moment this guitar has Wilkinson WJ28NGD open gear machine heads in gold fitted but I still have the original K. Yairi machine heads. It’s all original except for the bridge which is a brand new hand cut and shaped replacement in ebony with a bone saddle and ebony bridge pins. The guitar is in great shape for being 43 years old but there are a couple of scratches to the top, one big one close to the bottom. The neck is straight, trussrod works and the action is low. The guitar sounds amazing, so deep and clear at the same time. These K. Yairi YW-1000 are extremely rare in Europe and without any doubt the closest you can get to a real 1970’s Martin D-45. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s, 700€ SOLD
Nice Martin D-42 copy with real abalone hexagon inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with some scratches, one slightly larger on the top. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-50 1970's Made in JapanMorris W-50, Made in Japan 1970’s,650€ SOLD
Great looking Martin D-42 copy with snowflake inlays and the typical Martin volute where the head and neck meet. Solid spruce top with nice inlays all around and a beautiful 3-piece back with flamed maple and dark rosewood. The guitar is all original and in really good shape for being over 35 years old but with scratches and marks around the body. It has Wilkinson WJ28NGD open gear machine heads in gold installed now but the original will be included. The neck is straight, trussrod works and the action is low. The guitar sounds great, very clear and Martin like. You can read more about the guitar here and listen to it in this Youtube clip.

Morris W-40 1973Morris W-40, Made in Japan by Terada 1973, 500€ SOLD
A pretty early Morris and a very nice looking Martin D-45 copy, made by Terada in Japan, the factory that makes Gretsch and Orville. Solid spruce top with a really nice 3-piece back of Brazilian rosewood and maple. The inlays are real abalone hexagon inlays and I still have the original machine heads if chrome is preferred to gold. It has it’s fair share of scratches and has been played a lot over the past 42 years but it has no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is just amazing, really deep bass but with good clarity and great projection. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. It’s still one of my favourites but now I have too many Morris guitars and have to get rid of some. You can read more about the guitar here and listen to it in this Youtube clip.

Morris WL-35 Made in Japan 1970'sMorris WL-35, Made in Japan 1970’s, 400€ SOLD
A really cool looking Johnny Cash Guild copy. It’s in great condition except for one flaw, the end pin has been pushed in at one point and cracked the lacquer. It’s not as bad as it sounds and it doesn’t really affect anything but I thought it would be worth mentioning. I’m pretty sure it’s mahogany back and sides, it has a really warm and nice sound and is a great playing guitar. It has a endpin jack fitted and a strap button so it’s ready to be gigged with straight away, just fit a pickup. You can read more about the guitar here and listen to it in this Youtube clip.

K.Yairi TG-40 Made in Japan 1977K. Yairi TG-40, Made in Japan 1977, 700€ SOLD
A very rare and unique K. Yairi copy of the famous Guild D-40, which itself was introduced in the Sixties as a competitor to Gibson’s J-45. The Guild D-40 became famous as the Bluegrass guitar for their even response over all the strings and I have to say that this K. Yairi TG-40 sounds amazing. Solid spruce top, sides and back in solid mahogany, neck in Honduras mahogany, bridge and Fretboard in black ebony. The guitar is all original except for the pickguard, which was replaced with an official Guild pickguard, the old one was cracked. It has an end pin jack and strap button fitted and at the moment Wilkinson WJ-309 Art Deco machine heads in gold but I still have the original machine heads if chrome is preferred to gold. The top and back has a few scratches but no structural issues. It plays really well and has an amazing tone, very loud and clear with a great punch in the mid-range. You can read more about the guitar here and listen to it in this Youtube clip.

K. Yairi YW-130 Made in Japan 1977K. Yairi YW-130, Made in Japan 1977, 550€ SOLD
This is a quite accurate Martin D-28 copy made in Japan by K. Yairi in 1977. It’s really light and beautiful sounding, very responsive and a joy to play. Solid spruce top, rosewood back and sides with a smooth ebony fretboard. It has it’s fair share of scratches and a couple of dents to the top but no cracks or issues. The neck is straight, trussrod works and the action is low. The sound is great, very clear with great harmonics. It has a strap button fitted and at the moment Wilkinson open back machine heads in gold but I still have the original machine heads if chrome is preferred to gold. You can read more about the guitar here and listen to it in this Youtube clip.

IMG_9283Levin Model 13 Ambassadör, Made in Sweden 1950, 600€ SOLD
This is a beautiful Levin Model 13 Ambassadör, hand built in Gothenburg Sweden in 1950. If you are not familiar with this classic Swedish brand Levin, click on the link to read more about it. It was restored a few years ago by GammelGura, a great luthier in Örnsköldsvik, Sweden. With new bronze frets, a neck re-set, cracks glued and a new bridge was created to improve the intonation, the rest is all original. It even has the sticker on the back of the head from the guitar shop in Örnsköldsvik where the guitar was bought 65 years ago. It’s a fairly small ladder braced 12-fret guitar with a big sound because of the body width, 400 mm. All solid woods, as always with Levin. Spruce top, walnut back and sides, 4-ply bound top, single-bound back. Mahogany neck with non-adjustable T-shaped duraluminum truss rod. Single-bound rosewood fingerboard with 18 frets and pearloid dot inlay. Single-bound headstock, rosewood bridge, nickel plated individual tuners. Sunburst finish, very similar to the Gibson sunburst of the 1940-50’s, and 10 years warranty. You can read more about the guitar here and listen to it in this Youtube clip.

Levin Model 65 parlour guitar Made in Sweden 1942Levin Model 65, Made in Sweden in 1942, 550€ SOLD
A nice little parlour guitar from Levin, made during World War II in Gothenburg Sweden. It’s just 315 mm wide so it’s a perfect little ladder braced blues machine. All solid woods, spruce top, birch back and sides with walnut fretboard, brass machine heads and nickel plated tailpiece. The guitar is all original, I carved a new bridge for lowering the action but the original will be included in the sale. The neck is really fat and nice and feels great to play. A perfect parlour for blues picking. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström Western 6 Made in Sweden 1978Hagström Western 6, Made in Sweden in 1978, 650€ SOLD
A very rare Hagström Western 6 Missouri made in 1978 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s both stunning to look at, a joy to play and it sounds great. It has the same head, fretboard and inlays as the legendary Hagström Suede electric guitars had in the 1970’s. Spruce top with X-bracing, mahogany back and sides. 4-ply bound top and bound back. Unbound ebony fingerboard, rosewood bridge, mahogany neck. Matte natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

Hagström B-60 Made in Sweden 1975Hagström B-60, Made in Sweden by Bjärton in 1975, 500€ SOLD
This great looking Gibson J-50 copy was made in 1975 by Bjärton in Bjärnum in the south of Sweden. Bjärton were the second largest guitar manufacturers in Sweden after Levin, and they produced all the acoustic instruments for Hagström. It’s made out of all solid woods and it’s a very nice sounding guitar, even though it has a bolt-on neck, I guess the solid woods and massive neck block is helping with the sound. Spruce top with X-bracing, mahogany back and sides with a nice mahogany bolt-on neck, unbound rosewood fingerboard, Single-bound top and back, rosewood pin bridge. Van Gent machine heads, just like Levin, natural finish and 10 year warranty, which was only give to the top end models. You can read more about the guitar here and listen to it in this Youtube clip.

How to… carve a bridge

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 a Martin D-45 copy made in Kani, Japan in 1973

It’s been a while since I posted anything in my little DIY series, How to…, like me previous post about How to… reset a Levin neck or remove a bridge. I did carve a little floating bridge for my Levin 65 over a year ago but now it was finally time to carve a proper ebony bridge for my K. Yairi YW-1000.

K. Yairi YW-1000 Made in Japan 1973I thought about getting a pre-made Allparts ebony bridge at first but felt that it would be more fun to make one myself from scratch instead. I ordered some rosewood and ebony blanks from Madinter, it thought it could be good to have some extra at home, and got started. First I removed the old bridge, it had two screws that was a bit tricky to get out but eventually I figured it out. I removed the bridge with a spatula that I heated on a normal clothes iron, it works like a charm every time. Start in a corner and work yourself towards the middle and be careful when it starts to loosen up so you don’t break it off and chip the top, it should come off slowly and without force. I planed the ebony blank and then used a cabinet scraper to get it even. I copied the old bridge and drilled the holes straight away. It felt easier to do this before the bridge was shaped, it would also have saved me a lot of time in case I messed up the holes and had to start all over again. Luckily everything went fine.

K. Yairi YW-1000 Made in Japan 1973Once the bridge was sawed in to a good size, I made it a couple of millimetres bigger on all sides, I drew the outlines of the final shape. I mounted the bridge blank on a piece of scrap wood with two screws so I could more easily work all around with the bridge firmly secured. I used a chisel to carve out the shape on the sides and from the top down towards the wings. I got a good round shape with a half round rasp and then it was just a hell of a lot of sanding to remove all the lines from the rasp and to get it smooth and nice.

K. Yairi YW-1000 Made in Japan 1973I glued the bridge on and after 3 days I strung up both E-strings and used a drill as a saddle so I could move it around until I got the intonation right, I forgot to take a picture of that. I marked out the saddle and then sawed a 3 mm slot. Next step was to create a bone saddle to match and string it up. Easy peasy, well it was a hard days work but it was easier that I thought.

Hagström B-60

Hagström B-60 Made in Sweden 1975Hagström B-60, made in Sweden by Bjärton in 1975

I guess people might have noticed that I’m quite obsessed with Levin guitars, but there are actually other Swedish guitar brands that I care about too, like Hagström Crafton, Bjärton and Lugnås. I recently found my first steel string Bjärton, I have had a nylon string since my mid teens but never actually played on a steel string Bjärton until now. This is an awesome looking Hagström B-60 or Bjärton B-60 as it was called in Sweden, it’s the same guitar but since Hagström was more famous abroad they used that name for the export models. They were built by Bjärton in Bjärnum in the south of Sweden. It’s a pretty great guitar, loosely modelled on a Gibson J-50, Bjärton made a legendary Gibson J-45 copy in the Sixties called Hagström H-45 or Bjärton J-45 which was used by David Bowie and a lot of others. That model came with or without factory installed pickup and they even made a 12-string version. This Hagström B-60 is slightly more modest and looks pretty basic. It’s a nice sounding guitar, even though it has a bolt-on neck which should kill the tone completely, I guess the solid woods and massive neck block is helping with the sound.

Hagström B-60 Made in Sweden 1975Hagström B-60 Made in Sweden 1975

Hagström B-60 / Bjärton B-60
Body width: 410 mm, body length: 510 mm, body depth: 120 mm
Spruce top with X-bracing, mahogany back and sides
Mahogany bolt-on neck, unbound rosewood fingerboard
Single-bound top and back, rosewood pin bridge
Van Gent machine heads, natural finish and 10 year warranty
Introduced: ca 1972, available for export under the Hagström brand

Hagström B-60 Made in Sweden 1975The guitar was in pretty good shape when it arrived. I did the normal cleaning, polished frets and oiled the fretboard and then installed a bone saddle and ebony bridge pins to improve the sound

Van Gent tuners, Hagström B-60 Made in Sweden 1975My main challenge was to try to get the Van Gent machine heads clean. The guitar smells like it has spent the past 40 years in the company of an old pipe smoker so I assume that’s actually tar and nicotine that has built up over the years. I’m an old ex-smoker myself so to me it smells like pure heaven.

Guitar Moves

I’ve mentioned before that I really enjoy watching Guitar Moves, but this episode is really hard to beat, freaking Keith Richards!

Ibanez V 637

Ibanez Vintage 637 BS Made in Japan 1978Ibanez Vintage 637 BS, made in Japan by Fujigen Gakki in 1978

I managed to find another a Ibanez Vintage, just like the Ibanez V 300 BS that I got for my friend Miki back in July, but this time it’s a Ibanez Vintage 637 BS. I’m not really sure what the difference is between the V 300 and V 637 because they feel, look and sound very much the same but I assume this one should be a bit better since the model number is higher. Unless they used the old 600-series number for them in 1978 like the used on the Concord earlier and then changed in 1979 to a 300 series. Either way it’s a beautiful and very well sounding guitar. This guitar is now sold.

Ibanez Vintage 637 BS Made in Japan 1978Ibanez Vintage 637 BS Made in Japan 1978I only had to clean her up, polish the frets, oil the fretboard and machine heads and change the nut and saddle to bone and she was ready to go

Hagström HIII

Hagström III Made in Sweden 1970The 1970 Hagström HIII is now sold and is going to be sent off to Jose in A Coruña.

Fuji F310

Fuji F310, Kurosawa by Matsumoto Made in JapanFuji F310, made by Kurosawa guitar in Matsumoto, Japan

I recently found a little Fuji F310, a 000-sized Japan made acoustic. The guitar was made by Kurosawa guitar in the Matsumoku factory in the late 1960’s. It says Matsumoto factory on the label and that seems to have been the original name of the Matsumoku factory before they grew too big and had to move, the old Matsumoku factory was in the city of Matsumoto. It’s in great shape for the age and has a great tone, these folk sized Japanese acoustics are pretty hard to come by, especially here in Spain. It’s made with really nice looking tone woods, the rosewood back is beautiful and so is the fretboard. The neck is really fat and feels great, a bit like a 58′ Les Paul and if I needed another 000 I would have kept it myself but I have three Levin guitars in this size. I bought the Fuji F310 for my wife but her hands are too small for the neck and therefore it’s up for sale.

Fuji F310, Kurosawa by Matsumoto Made in JapanFuji F310, Kurosawa by Matsumoto Made in JapanA changed the bridge pins and put in a bone saddle, straightened up the neck and polished the frets. There was a pretty nasty dent on the back of the neck, close to the body, that I filled, painted and lacquered over.

 

K. Yairi YW-1000

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000, made in Japan in 1973

Since it’s my 35th birthday today I’m going to post this guitar even though it’s not 100% ready yet, it was my birthday present to myself. As I mentioned earlier I recently became the proud owner of a 1973 K. Yairi YW-1000. It’s something I’ve dreamed of for many years and after a bit of hassle it finally arrived. The previous owner didn’t really give much of a description so I wasn’t really sure what to expect. Luckily it sounds at least as good as I had hoped for, if not better and it’s structurally fine. Having said that, there were a couple of things that I wasn’t overly excited about, like the bridge and the scratches on the top. I don’t mind worn guitar but there is one big scratch that is still a real eyesore for me, I’m sure I will get used to it and not even see it in a few weeks. The bridge is a chapter for itself, I really don’t know what has been going on there. It has been removed at some point and re-glued, it also has two screws that I doubt were supposed to be there and on top of that someone has added a bit of rosewood to make it higher and topped it of with a fret as the saddle instead of a normal slot and bone saddle. As soon as the wood shops open again here in Barcelona, a lot of shops are closed in August, I will get a piece of ebony and create a new bridge from scratch. Since I couldn’t wait a whole month to play the guitar I lowered the bridge and cut a saddle slot and installed a bone saddle for now, which has worked fine. It’s a beautiful guitar, it’s smells wonder full and sounds even better. This is my third K. Yairi and I have to say that it’s without any doubt the best Japanese acoustics I’ve played so far. I really love my K. Yairi YW-130 and K. Yairi TG-40 but nothing sounds as good as this K. Yairi YW-1000.

K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 Made in Japan 1973K. Yairi YW-1000 Made in Japan 1973It’s worn and has few scratches but nothing too serious, except for the bridge as mentioned before. I changed the machine heads to Wilkinson WJ28NGD open gear in gold, the original ones were in gold too but most of it had worn off and on top of that they were really heavy. I love all the abalone binding and the hexagon inlays in the ebony fretboard. I’m so gay for bling on guitars, the more the better, perhaps I’m the Liberace of guitars.

K. Yairi YW-1000 Made in Japan 1973As soon as I got the guitar I removed the fret, lowered the bridge by sanding it down and then I cut a proper saddle slot. Apparently the top of the bridge is rosewood on an ebony base so I had to paint the top black to match the rest. The bridge works fine but I’m not happy with how it looks so I will try my best to carve a new one in ebony and replace it.

The fist video is with the old makeshift rosewood bridge that the guitar came with, the second video is with the new ebony bridge that I carved myself from scratch, you can read about it here.