Claescaster

Tag: Grand Concert sized

Harmony H-162

Harmony H-162, Made in USA
Harmony H-162, Made in Chicago, USA in the late 1960’s

I finally put the second Harmony H-162 back together. I got two late 1960’s Harmony H-162 acoustic guitars about 2-3 years ago and it has taken forever to actually find the time to re-set the necks on them. The first one I put together back in November and that one was sold straight away. This one is reserved for a friend of mine but if he decides to get one of my Levin guitars instead then I will put it up for sale. They are really nice these Harmony guitars, wide neck, strong tone and great wood. Harmony used the same wood supplier as Martin back in the day. These were called folk guitars which is a grand concert size, the exact same size as a Martin 000. The Harmony H-162 was produced in Chicago from 1940-1971, this one is most likely from the late 1960’s looking at the headstock. Even though it was an inexpensive guitar at the time they were built with all solid woods, back and sides of selected quality mahogany with a resonant spruce top. It’s a surprisingly well sounding guitar for being a mass produced ladder braced guitar, way better sounding than any Gibson B-15 or B-25 I’ve heard and it cost a third. The neck is pretty wide which makes it extremely comfortable for finger picking. Considering the price of a late 1960’s Martin 000-18, or even a Gibson B-25, the Harmony H-162 is a bargain for a USA made all solid wood vintage guitar.

Harmony H-162, Made in USAHarmony H-162, Made in USAThe Harmony H-162 was missing machine heads, nut and saddle so I cut new ones in bone and added machine heads and some ebony bridge pins.

Harmony H-162

Harmony H-162, Made in USA 1960'sHarmony H-162, Made in Chicago, USA in the late 1960’s

Two years ago I came across a couple of Harmony guitars, two late 1960’s Harmony H-162 acoustic guitars and a late 1950’s Harmony Monterey H1325 archtop guitar. I sold the archtop pretty much straight away since I got two Levin archtops at the same time. Both of the Harmony H-162 were in desperate need of a neck reset and were unplayable so they got packed away for the first year and a half and then in April I got around to remove the necks and now last week I finally managed to reset the first of the two. This Harmony H-162 feels a lot like my 1965 Goya T-16, but of course ladder braced instead of X-braced. These were called folk guitars which is a grand concert size, the exact same size as a Martin 000. The Harmony H-162 was produced in Chicago from 1940-1971, this one is most likely from the late 1960’s looking at the headstock. Even though it was an inexpensive guitar at the time they were built with all solid woods, back and sides of selected quality mahogany with a resonant spruce top. It’s a surprisingly well sounding guitar for being a mass produced ladder braced guitar, way better sounding than any Gibson B-15 or B-25 I’ve heard and it cost a third. The neck is pretty wide which makes it extremely comfortable for finger picking. Considering the price of a late 1960’s Martin 000-18, or even a Gibson B-25, the Harmony H-162 is a bargain for a USA made all solid wood vintage guitar. This guitar is now for sale.

Harmony H-162, Made in USA 1960's
Harmony H-162, Made in USA 1960'sOnce the neck was reset all the hard work was done. The rest was just cleaning, polishing frets, oiling fretboard, repairing some binding, installing machine heads and creating a new truss-rod cover.

Harmony H162, 1959 Harmony catalogue
I got myself two late 1960’s H-162 so now I will start on the second one and get that neck reset as well. Taken from a 1959 Harmony catalogue

How to… reset a neck

Harmony H-162, Made in USA 1960'sHarmony H-162, Made in Chicago, USA in the late 1960’s

This is a project that could have been done in two days but has taken two years. I guess it’s partly my fault, I wasn’t really sure how to reset a neck so I kept putting it off. I also have a 1.5 years old daughter and she is like a black hole when it comes to making time disappear. Anyway, now it’s done and everything worked out pretty great. I steamed off the necks back in April and then I had a lot of gigs and moved house in the middle and then last week I finally managed to get the guitar back together.

Harmony H-162, Made in USA 1960's
I drilled a small hole under the 14th fret and tried to steam it off that way but it worked really badly so in the end I got frustrated and just removed the fretboard and got the neck off that way instead. I glued the fretboard back straight away so I wouldn’t mix the parts between the two late 1960’s Harmony H-162 that I had lying around at home. Once the neck angle was corrected I glued the neck back with Tite­bond 506/​4 classic wood glue.

Harmony H-162, Made in USA 1960's
The late 1960’s Harmony H-162 in parts, it was actually quite easy to reset a neck. It’s pretty worn but the solid woods are really nice, mahogany back and sides with a two piece spruce top.

Harmony H-162, Made in USA 1960's
I cleaned up the dovetail and heel with a chisel and then adjusted the neck angle with a file, it felt less risky than doing it with a chisel. I didn’t have to remove much for getting the action down and making it playable again.