Claescaster

Tag: Barcelona

Guitarras de artesanía, Artículos J.A.R.

Guitarras de artesanía, Artículos J.A.R. Mataró 1970'sGuitarras de artesanía, Artículos J.A.R. Spanish guitar made in Mataró outside Barcelona 1970’s

I found this guitar in a Cash converters last week and felt so sorry for it. It had a broken head, a cracked brace, loose back and looked so sad that I felt I had to save it and bring it back to life. A week later she is up and running and sounds pretty damn sweet.

Guitarras de artesanía, Artículos J.A.R. Mataró 1970's

I couldn’t find any info about the brand so if anyone knows anything more about it then please get in touch. It has a solid spruce top and what looks to me like solid maple back and sides. It says “Guitarras de artesanía” which should indicate hand crafted but I’m not sure, quality wise it feels pretty much like the Juan Estruch I got for my friend Rafa’s birthday. Perhaps all Spanish guitars were more or less hand crafted back then, the big business guitar factories hadn’t really kicked in yet. I have put this guitar up for sale since I mainly play steel string acoustic guitars and on top of that I have a Francisca Montserrat that I really like.

Guitarras de artesanía, Artículos J.A.R. Mataró 1970'sFirst I had to try to clean her up, I have never seen a top with that much grease and grime. I used a normal furniture spray and a toothbrush, it worked like a charm. When I had cleaned the fretboard I polished the frets and oiled up the fretboard with lemon oil. She came out looking pretty descent after that.

Guitarras de artesanía, Artículos J.A.R. Mataró 1970'sNow I just had to take care of the broken head and glue the back. I have actually never glued a head on before but I assumed that you do something like this. I used to thin pieces of wood on each side to stabilise it and keep things in place, and also for not damaging the head any further with the force of the clamps. I guess it could have worked with normal wood glue too but I used my trusty old fish glue that I use for pretty much everything when it comes to guitars. It came out looking very solid after being clamped for 48 hours. I also glued the open back and a cracked brace, which was pretty straight forward. The machine heads was broken on one side so I replaced them with the leftovers from the Juan Estruch I fixed last year. They don’t match exactly but at least they are from the same time and region, that’s close enough for me. Compared to the state I found her in I think she is looking pretty good. More images can be found here.

James Taylor

Tomorrow night Araceli and I are going to see James Taylor live at the Gran Teatre del Liceu here in Barcelona. We are very excited, it’s going to feel like a night at the opera.

Jackson Browne

I’m so excited, last night I found out that both James Taylor and Jackson Browne are coming to Barcelona. My wife and I quickly booked tickets for both of them.

Chest Fever

Araceli and Claes, Chest Fever session, Barcelona 29-04-2012 © Claes Gellerbrink, photographs can't be used without permission

Last Saturday Araceli and I had another gig with Chest Fever. We recently bought a Bill Lawrence A-300 pickup so Araceli could play her favourite little Tanglewood Premier TW133 guitar and I fitted my L.R. Baggs M1 in my 1968 Goya Model 163 and was very pleased with the result. You can listen to the whole gig on Youtube.

How to… reglue a bridge

Francisca Montserrat, Barcelona
Francisca Montserrat Barcelona, Spanish guitar 1960’s

I recently reglued the bridge on my Francisca Montserrat and just wanted to show how easy it is if anyone out there feels a bit scared of doing it yourself. It’s very straight forward and only takes a couple of minutes.

Francisca Montserrat, Barcelona
Heat a spatula on a normal clothes iron, it’s good to keep a finger on it so it doesn’t get too hot and scorch the lacquer. Insert the spatula under the bridge, start with the edges and work your way to the middle to loosen the bridge. I prefer to reheat often instead of working with a really hot spatula from the start, less risk of damaging the top that way. Be careful when you do the last push so you don’t break it off, it’s supposed to come off without any direct force if the spatula is warm enough to loosen the glue. Once the bridge is off, clean the guitar top and the bottom of the bridge with some sandpaper to get a smooth surface. I earlier thought that it was good to scratch the bottom of the bridge with a knife to get something for the glue to grip to but have later been told that’s an old myth and it’s better to keep the surfaces smooth. Apply plenty of glue on both the guitar top and the bottom of the bridge, I always use fish glue for my guitars. Put the bridge in place, apply some pressure with your hands and remove all the extra glue that comes out on the side and then apply a couple of clamps to keep it in place over night. I recently got myself a couple of deep throated, 200 x 195 mm, Klemmsia clamps from German eBay that worked great.

Francisca Montserrat, Barcelona

Daniel Romano

Daniel Romano Sala Rocksound Barcelona 30 Sep 2014, © Claes Gellerbrink Daniel Romano last night in Sala Rocksound Barcelona

Araceli and I finally got to see Daniel Romano last night. It was my wife’s birthday so it was a pretty good ending to her special day. The gig was great, the sound was good and the band was awesome live. The only let down was perhaps that Daniel Roman wasn’t wearing his awesome cowboy suit, but what can you do on a Tuesday in small venue in the north of Spain after a long European tour. I got a chance to say hi to him after the gig and managed to ask the question that has been nagging me since the first time I heard him. What Gibson model is his awesome sounding acoustic, the one with the Daniel Romano inlays over the freatboard? My guess was a re-issue Gospel and it turned out I was right, it’s a 1995 Gibson Gospel.

Aaron Goldstein Pedal steel, Daniel Romano Sala Rocksound Barcelona 30 Sep 2014, © Claes Gellerbrink
Daniel Romano Sala Rocksound Barcelona 30 Sep 2014, © Claes Gellerbrink

Casa Parramon, Barcelona

Casa Parramon Barcelona, Laúd
Before and after, a Spanish Laúd, made by Casa Parramon, Barcelona

When Araceli and I first moved to Barcelona we found this Laúd in the streets, we took it home, put it in the back of a wardrobe and completely forgot about it for four years. It was so ugly so we couldn’t have it out, on top of that we didn’t even know if it was a laúd, a bandurria or some other weird Spanish instrument. It was therefore tucked away and quickly forgotten. Until recently when Araceli’s dad Marcos mentioned that he wanted to learn to play a new string instrument, or as he put it, I need something new to make noise on. We suddenly remembered that ugly thing with strings on in the wardrobe and I thought that maybe I could restore it for him. I mentioned earlier that we managed to find a really nice Spanish made Alhambra from the late 1970’s that we gave him for Christmas.

Casa Parramon Barcelona, LaúdCasa Parramon Barcelona, Laúd
Someone called Rosa Sola had gone crazy bananas, full blown hippie on this poor laúd when we found it

I have no idea how old this laúd is but it was built by Casa Parramon here in Barcelona. The workshop was started in 1897 by Ramon Parramon and I think he mainly built violins. Casa Parramon is actually still in the same place today as they were 117 years ago, C/ Carme 8. Now I think they are mainly building violins again but I guess they would have had time to build both laúds, bandurrias and guitars over the last hundred years.

Casa Parramon Barcelona, Laúd
Casa Parramon Barcelona, Laúd
I stripped the laúd completely, took off machine heads, tail piece and bridge. I got the bridge off with a spatula heated on a normal clothes iron, it works like a charm every time. I cleaned and oiled the fretboard and polished the frets. Then I sanded down all the wood with an electric sander, this felt a bit harsh on an instrument but most of the text was actually scratched in to the wood and not painted on so I had to take out the heavy artillery. On top of that, the solid spruce top felt really thick so I thought that the sound might actually benefit from a thinner top. I glued some cracks in the top with my trusty old fish glue and then I waited and waited for the shellac I had ordered from Germany that unfortunately never arrived. I really wanted to use shellac on this instrument, both for practice for myself for future builds and projects, but also for the laúds sake, it felt like the healthiest option. In the end I went and bought normal clear lacquer, or varnish, I’m not really sure what the guy sold me but he said it would work and it did. It applied two coats and sanded lightly in between and it looks ok but I guess if I would have looked even better if I had spent more time on sanding and getting it super smooth in between the coats. I had to paint this at night in poor light and got some drips that should have been taken out properly, I just scraped them off with a razor and then applied new lacquer. I guess I have learnt a few things for the next time. One trick I can share though, that everyone might already know about but anyway. Before I started with the lacquer I marked out where the bridge was going to be and then masked that off with tape so I wouldn’t have to remove the lacquer before I glued the bridge back on and that worked really well.

Casa Parramon Barcelona, LaúdCasa Parramon Barcelona, Laúd
The final result, Marcos new laúd, now I just have to string it up and try to figure out how it’s tuned

Casa Parramon Barcelona, Laúd
Update: August 16, 2014 Marcos seemed very pleased with his new laúd

Daniel Romano

Daniel Romano

Araceli and I are very excited about seeing Daniel Romano live in September. He is doing his first European tour and is planned to play Rocksound here in Barcelona on Araceli’s birthday, the 30th of September 2014.

Juan Estruch, Barcelona

Guitarras Juan Estruch Barcelona
The 1960’s Juan Estruch Barcelona guitar before and after I cleaned it up.

I recently bought an old Juan Estruch guitar for my friend Rafa. He has mentioned numerous times, actually since the day that I found my Francisca Montserrat, that he would love to have an old Spanish guitar. So for his birthday Araceli and I went to all the Cash converters we could think of an eventually found a beat up Juan Estruch for him. The brand was founded here in Barcelona by Juan Estruch Rosell in 1880. This guitar seems to have been made between 1960-1969, according to the label, and has a solid top. There was a few things that needed to be sorted to get it playable but I could tell straight away, even with strings missing, that it had a nice tone and great projection.

Guitarras Juan Estruch Barcelona
This is what it looked like when I bought it

Here is some info about the brand taken from Wikipedia, unfortunately in Spanish for you English readers: Guitarras Juan Estruch es una marca de guitarras y otros instrumentos musicales de Barcelona. La compañía fue fundada por Juan Estruch Rosell en 1880, siendo maestro de otros luthiers de fama como Enrique Sanfeliu1 de quien exponen una guitarra en el ministerio de educación de Uruguay. Después de la guerra civil, su hijo Joan Estruch Sastre se hizo cargo del taller de la calle Ample continuando con la construcción artesanal de guitarras siguiendo la tradición familiar. A su muerte (1970), su hijo Joan Estruch Pipó, se hizo cargo de la empresa hasta su muerte en 1989. Hoy en día la empresa sigue en Rubí, con el nombre ESTRUCH Luthiers , a cargo de la viuda y el antiguo encargado del taller Rafael Montes que entró a los 14 años, aunque la mayor parte de su producción es para la exportación. En los años sesenta muchos de los cantautores de la nueva canción catalana fueron clientes del taller de la calle Ample haciendo un lugar de encuentro con animadas tertulias.

Guitarras Juan Estruch Barcelona
The normal cleaning, polishing frets and oiling the fretboard

Guitarras Juan Estruch Barcelona
I wasn’t really sure how to fix the missing binding. In the end I decided to do a MacGyver and just use what every I could find at home. First I closed the gap between the side and top with fish glue and then I filled it up with wood filler. When it was dry I sanded it in to shape, got it smooth and then painted it black to match the original plastic binding.

Guitarras Juan Estruch Barcelona
Unfortunately I had to change the machine heads since one was broken, I would have loved to keep it all original

Guitarras Juan Estruch Barcelona
The final result, a fully playable birthday present for my friend Rafa

Guitarras Juan Estruch Barcelona
Rafa from the band Cobarde with his new Juan Estruch guitar

Guitarras Juan Estruch Barcelona
Sr Chinarro came around and tried it too

1965 Tienda de construcción de guitarras del Sr Estruch en la calle Ancha
1965 Tienda de construcción de guitarras del Sr Estruch en la calle Ancha

The Sheepdogs

The Sheepdogs

Tonight Araceli and I are going to see the pride of Canada, The Sheepdogs here in Barcelona. We saw them at the Azkena rock festival earlier this year and they were awesome. They make you want to buy an old Gibson Firebird and move to Canada. Here you can get your tickets for tonight’s show at Sala Bikini. See you there.