This beautiful old Alhambra arrived to the office yesterday. It’s a present for my father-in-law, Marcos. He picked up a guitar for the first time a couple of years ago when he was in his late Sixties, which proves that it’s never too late. Now he felt that he had outgrown his beginners guitar and wanted something else so Araceli and I bought this one for him. He really wanted an Alhambra, not only for their reputation but also because they are built in Muro de Alcoy, a small village in the mountains north of Alicante, not far from where Marcos grew up in Cartagena. The only problem is that the second hand markets for guitars in Spain is pretty bad and even worse in the South so his only option would have been to spend 700€ on a new one, the prices are quite high down there since there isn’t much competition. So we decided to help him out and found this fairly cheap from Germany on eBay. I wasn’t really sure what to expect, nowadays Alhambra is one of the worlds best and biggest guitar builders known for their great quality, but how were things 30-40 years ago? I had only played one once, a beat up Alhambra from 1976 that I found in a Cash Converter. It had a terrible belly and the bridge was coming off too but they still wanted 120€ for it and refused to lower the price since it was an Alhambra. These Seventies models doesn’t seem to have any model indications so it’s hard to know if a certain guitar was made for the tourists in the 1960-70’s or if it was made to be played properly. The machine heads, fretboard and frets are on the cheaper side but the wood is amazing and they have really great tone. So even if this was made fairly cheap for a tourist to bring back home to Germany they still knew how to build great guitars because the volume and tone is far better than on any modern Spanish guitar that I have played lately. I levelled the frets a bit, crowned them and softened the edges and then polished everything. I also sanded down the saddle since the action was a bit high but now it feels nice and plays really well, maybe not as nice as my Francisca Montserrat but still. Now we just have to wait and see what Marcos feels about his new guitar, hopefully he will like it as much as Araceli and I do.