Claescaster

Tag: Swedish acoustic guitars

Levin LS-18

Levin LS-18 Made in Sweden 1960Levin LS-18 Made in Sweden 1960

I finally got my hands on a Levin LS-18. Around Christmas 2015 I was offered to buy a Levin LS-16 that I’ve loved since the first time I played it. Therefore I’ve been really curious to hear what a full sized LS sounded like. These guitars seems to be fairly rare, I’ve seen one or two up on eBay in the last year but they have both gone for upwards of a £1000. I’m not sure why there aren’t more of these around in Europe, perhaps people refuse to sell them or they all got badged like Goya S-18 and shipped off to USA. The Levin LS-18 was introduced in 1958 and replaced by the LT-18 in 1964. The only difference sound vice that I’ve noticed between the LS-18 and the LT-18, both of them have flamed maple back and sides, is that the LS-18 seems a bit deeper in the bass. Perhaps it’s just this guitar, or the year, or the wood, it’s impossible to know without trying ten others. Other noticeable differences is that the LS-18 has thicker neck profile, different machine heads and centred pearl dot inlay instead of the LT-18’s bass side pearloid block inlay. It basically looks a bit more 1950’s and I love it.

Levin LS-18 Made in Sweden 1960Levin LS-18 Made in Sweden 1960There was quite a lot of work to do on this when I first got it. The action was so high that I couldn’t even get it in tune properly, the intonation was way off. I reset the neck and cleaned it up and now it both sounds and plays great.

Levin LS-18 / Goya S-18
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound ebony fingerboard with with centred pearl dot inlay. Nickel plated strip tuners with plastic buttons. Ebony bridge, metal Levin truss rod cover, natural finish and ten year warranty

Marketed by U.K. distributors as Super Goliath Model 1855

Levin LT-18

Levin LT-18 Made in Sweden 1963 Levin LT-18 Made in Sweden in 1963

2016 might have been the worst year ever when it comes to good musicians dying, last out was Leonard Cohen who meant so much for me in my late teens. Having said that, 2016 has also been the most amazing year ever when it comes to me getting my hands on some mighty fine Levin guitars. I’ve been trying to find another Goliath sized Levin for the past 3 years without much luck, except for the lovely 1968 Levin LT-18 that I found a couple of weeks ago. The full sized Levin guitars don’t come up for sale that often, especially not in Sweden or Germany where people seem to keep them until they die. The 1966 Goya T-18 that I bought back in 2013, which started my obsession with the Levin brand, was imported from USA and they seem to be quite rare there too. I have seen a couple on eBay in the UK but the sellers always want £1000 for them which for me as a Swedish collector is way too much. I was raised with this brand, my first guitar was a Levin and even though they might be worth what they deserve in the rest of Europe, the cheaper models can still be found on yard sales in Sweden for close to nothing. We have to remember that Levin had produced 500,000 guitars by 1970, something that C. F. Martin & Co completed in 1990, so there are still quite a few lying around in peoples attics in Sweden. I must have done something right lately because I’ve been very lucky when it comes to guitars, both these Levin LT-18 was actually offered to me, the sellers had seen my blog and contacted me to see if I was interested in buying them and of course I was. You feel a bit honoured too, when someone offers you a guitar because they know you will restore it, take care of it, play it and cherish it for years to come. This 1963 Levin LT-18 has spent it’s life in Ireland and came to me from a guy called Fintan. It has had some repair work done to it, apparently by a luthier in Dublin about 10 years ago. The pickguard was replaced and a new bridge was cut and for some reason screwed down to the top, madness if you ask me. I just adjusted the neck a bit, cleaned it up and it was ready to go. The guitar sounds pretty damn amazing, not as strong in the mid-range as the 1968 Levin LT-18, especially not after I changed the bridge to ebony, but the highs are great with really nice overtones.

Levin LT-18 Made in Sweden 1963
Levin LT-18 Made in Sweden 1963

Levin LT-18 / Goya T-18
Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, flame maple back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound ebony fingerboard with bass side pearloid block inlay
Nickel plated individual Van Gent tuners with metal buttons
Ebony bridge, natural finish and ten year warranty

Marketed by U.K. distributors as Super Goliath Model 1855

Happy New Year!

It’s been a great year for the Levin collection. Let’s hope that 2016 will be even better. Happy New Year everyone!

Levin CollectionLevin LT-14 (1965), Levin Goya T-16 (1965), Levin Goya T-18 (1966), Levin Goya T-23 (1966), Levin Rondo Model 29 (1960), Levin LT-16 (1966), Levin LS-16 (1963), Levin LM-26 (1959), Levin Model 65 (1942), Levin Model 13 Ambassadör (1950), Levin Model 32 (1946), Levin Model 3 Royal (1951), Levin W 12-36 (1978), Levin Goya Model GG-172 (1970), Levin Goya Model 163 (1968), Levin Model 174 (1972)