Claescaster

Tag: Goya New York

Goya T-18

Goya Model 163, Goya T-18, Levin Model 13, Levin LM-26, Levin Model 65, Levin LT-16
The Levin family, Goya Model 163 (1968), Goya T-18 (1966), Levin Model 13 (1950), Levin LM-26 (1959), Levin Model 65 (1941), Levin LT-16 (1966)

Last week I received my latest project, a lovely Goya T-18 made in Sweden by Levin in 1966. It sounds really nice and works great for cowboy chords but there are a few things that needs to be sorted before I can play her properly. First of all there are two dents on the back of the neck, it almost seems like the lacquer has melted or reacted with the the leather flap for the accessory department in the case. It came with what seems to be the original hard case and who knows, maybe she has been stored in there for decades. So these dents or groves needs to be filed with lacquer and evened out, let’s see how that goes. I also need to re-glue the pickguard, but that shouldn’t be too hard as soon as I receive my fish glue that I’ve ordered from Germany. The Van Gent machine heads looks almost new and it could be the original nut and saddle but not bridge pins. There is a few marks on her but overall she is in really good state for her age. The lacquer on the top has cracked a bit but that seems to be standard on these late 1960’s Goya T-18, but not on the Levin LT-18 so they must have used different lacquer for them. The big thing that needs to be done is to try to reset the neck. I have never done anything like it but since these are quite cleverly bolted on maybe it wouldn’t be impossible, if I just find the right square key to loosen the bolts inside. The Goya T-18 sounds a lot bigger and fuller than my dad’s old Levin LT-16 which could be down to the size more than the materials, I’m not sure. She sounds bright but still with a lot of bottom which I like, I actually think this is my best sounding acoustic after my Morris W-40. I’m trying to get the biggest Levin collection in Spain, well I might already have it, who knows.

Update: December 6, 2013
I finally managed to get my beloved Goya T-18 sorted and now it plays beautifully

Levin Goya T-18 Made in Sweden 1966

Levin Goya T-18 Made in Sweden 1966
Levin Goya T-18 Made in Sweden 1966

Goya T-18

Goya catalogue 1965
Levin’s Goya catalogue from 1965

I’m very excited about my future Goya T-18 from 1966. I managed to find one in a fairly good state for a reasonable sum on eBay and couldn’t resist. I’ve decided that from now on I’m just buying Swedish made Levin acoustics, they were called Goya in the US. Since I haven’t received the guitar yet, it will probably spend a week or to in the customs office in Madrid, I have to stick to looking at old catalogues and dream. They have a review of a Goya T-18 from 1965 in the latest issue of Acoustic Guitar, under Great acoustics, 1965 Goya T-18 by Teja Gerken. I need to find a copy so I can get an idea of what I’ve got myself in to. It can’t be that different from my dad’s old Levin LT-16 also from 1966, which is among the best acoustic guitars I’ve ever played. The Levin LT-16 or Goya T-16, has alp spruce top and mahogany back and sides while the Levin LT-18 or Goya T-18, has alp spruce top and flame maple back and sides. The LT-18/T-18’s Goliath size is also a bit bigger than LT-16/T-16’s Grand Concert size so let’s see how the size in combination with maple instead of mahogany affects the sound. The LT-18/T-18The LT-18/T-18 was top of the line in the mid Sixties and cost $219.50 new in 1965.

Goya catalogue 1965
Levin’s Goya catalogue from 1965. Next I will have to find a Goya N-26 or Goya N-22 in sunburst from the mid 1960’s.

Levin LT-16 Made in Sweden 1966
My dad’s old Levin LT-16 from 1966