Claescaster

1979 Fender Stratocaster

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtail
Fender Stratocaster, made at the Fullerton plant in 1979

I have always loved the 1970’s Fenders with the classic 3-tone sunburst. I guess it started when I first picked up the guitar and fell in love with the big headed Strats but nowadays I’m probably more in to Telecasters, even though they are way to expensive and hard to find. That was the main reason why I put my Claescaster together, to have a Telecaster that looked like late 1970’s Fender but for a lot less money. I actually bought a Tokai Silver Star back in October for the same reason, that I’m completely gay for 1970’s Fender 3-tone sunburst. So when I was down south for Christmas and walked past a small guitar shop in Lorca and saw a 1979 Fender Stratocaster in the window I couldn’t resist. It was the only second hand guitar they had in the whole shop, vintage guitars are really tricky business in the south of Spain since people aren’t really used to pay more money for something old when they can get something brand new for less. The price was ok and I could even live with 1980’s looking Seymour Duncan hot rails, switches and all, and since I really like gold hardware that wasn’t an issue either. The problem was, is it real, is it a US made Fender Stratocaster from the late 1970’s? The man in the shop said yes, the serial number on the head starts with S8, that is 1978, and it says made in the USA under, what more do you need to know? I tried to explain that there are a few other numbers on an old Fender that you have to check to be sure, and that the decal on the head is very easy to fake and stick on yourself. The man would hear none of this, he was sure he knew more about old guitars that this weird foreigner that had just walked in to his shop, on top of that, he really trusted the guy that he was selling it for. I said I had to think about it and left. I went home and started to read everything I could find about late 1970’s Fenders and found this site, Dating Late 1970’s Fender Stratocasters, extremely helpful.

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtail

I spent the whole Christmas just thinking about the guitar, was it worth it even if I couldn’t know for sure that it was made in 1978, or if it was even a real Fender? On the morning of the 26th we got the seller to travel in to the guitar shop with the original pickups, that was my first demand, if I saw them then hopefully I would be convinced that it was real. When we arrived to the shop the guitar was still there in the window and I was presented with a shoebox with all the original hardware, machine heads, bridge and pickups. I felt fairly sure that it was the real deal, I mean who would bother to bring in a box with old Fender stamped hardware for a fake guitar? I asked one last time if the old man in the shop had any proof that the guitar was real and he got really annoyed, saying that I could either take it or leave it. I managed to calm him down and explained that it would be a fairly common procedure to take the neck off if you sell old Fenders, or at least show the bottom of the pickguard, especially since there are a few questionable late 1970’s Fenders circulating in Spain that I’m 99% sure weren’t made at the Fullerton plant in the USA. The man just kept saying that it says USA on the head, that means it’s not made in Mexico, I had to explain that they didn’t start to make Fenders in Mexico until 10 years later, after the Fullerton plant had closed down and Fender had moved to Corona. He wasn’t convinced, and neither was I, but after seeing the pickups which pointed at 1979 and seeing the original hardcase which is the type Fender introduced in 1979 I felt that it was close enough, and bought it. I’m glad I did because as soon as I returned to Barcelona and I could take the guitar apart I found the proof needed. Even though I really like this guitar I have it listed for sale if anyone is interested in buying it.

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtail Ideally I would have liked to find a few more stamps in the neck pocket but they have either been sprayed over or there used to be a sticker that have fallen off. The neck has a serial number on the end that points at 1978 so together with the S8 serial on the head I guess it was made in 1978. The serial number under the pickguard points at 1979, just like the original pickups. The pots are unfortunately the general CTS pots that can’t be traced and the body has been shielded, which I didn’t want to remove, so I couldn’t find any numbers there. The matching stamp on the heel and neck pocket is the quality stamp Fender used in the late 1970’s. The Seymour Duncan pickups sounds way better than I expected, a bit too hot for more liking perhaps but still pretty nice. I haven’t decided if I’m going to keep it like this for a while or return it to it’s former glory with it’s original pickups and hardware.

Fender Stratocaster Made in USA 1979, 3 tone Sunburst, hardtail Fender had grey bottom pickups up until 1979 and then introduced black bottoms without serial numbers in 1980. I’m not sure if the bridge pickup is from 1980 and the others from 1979 or if it has been changed sometime in the last 35 years. The 3 screws neck plate and the saddles has the correct numbers and they machine heads looks like they should too. The original hardcase is actually way lighter and easier to carry than I expected, it has grown on me even if it looks a bit plastic and 1980’s for my normal taste. My first guitar was a Japan made 1993 Fender Squier with a rosewood fretboard and even though I prefer maple fretboards these days, there is something quite nice about a rosewood Strat. I also really like that it’s a hardtail, I never use the tremolo so I prefer a hardtail any day of the week, they feel more like a Telecaster too. All in all, this was not only my first USA made instrument but a pretty awesome guitar on it’s own that made me fall in love with Stratocasters again. Thanks again to Dating Late 1970’s Fender Stratocasters for all the useful information.

The new Claescaster

Claescaster-Greta
The new Claescaster, my first attempt at building a guitar

As I mentioned before I’ve been pretty busy building a Telecaster from scratch. I have never built anything in my life so this was more of a test to see how hard it was to shape a body, carve a neck, install a trussrod and frets and get it to intonate and actually play properly. It wasn’t that hard. I would say that with some patience this could be done by pretty much anyone. Now I will start to build something a lot prettier and use what I’ve learned from my mistakes the first time around. I promise to take a lot of pictures so you can follow the whole process. You can follow me on Instagram.

Grammer Guitar

The Grammer Guitar

As mentioned before, there are two guitars that I really would like to own. The first would be a Gibson J-50, ideally from before 1970. The Second would be a mid 1970’s K. Yairi YW-1000, the most beautiful Martin D-45 copy ever made. Having said that, I might have to add a third guitar in my list of holy grails, a Grammer Guitar. Imagine to find an original, before Ampeg took over, The Grammer Guitar RG&G, built by Billy and the boys in Nashville, Tennessee. Here you can read the history of the Grammer Guitar, it’s a pretty interesting story, especially if you like country music as I do. In the mid 1960’s Billy Grammer, a musician himself, decided to make an affordable flat top guitar for his friends in the Country music business. He took a Gibson J-45 and a Martin D-18 apart, studied their bracing pattern and how they were built and then made a copy with the best of both worlds, The Grammer Guitar. Maybe the reason I like them so much is because they remind me of my big headed Levin guitars from the 1970’s.

The Last Grammer Guitar made by RG&G The Last Grammer Guitar made by RG&G, built in 1968 on 715 Poplar Avenue in Nashville, Tennessee

I’m not much of a Joe Bonamassa fan but he plays a 1969 Grammer Johnny Cash model, I mainly respect him for taking his vintage guitars on tour and using them instead of just collection them. The Guitar Of The Week part on the Joe Bonamassa’s site is well worth a visit if you like old guitars.

361c60d0790243daad993f5778eb7fcd Joe Bonamassa’s 1969 Grammer Johnny Cash model, here is a Youtube clip of him playing it live

Here is Billy when he was young and awesome

And here is Billy when he is old and blind, but still kind of awesome

 

Goya GG-172

Levin Goya 172 Made in Sweden 1970 Goya GG-172 Made in Sweden by Levin in 1970

I feel really ashamed, I’ve had a beautiful Levin at home since June without fixing her up. There was a lot of things to got in the way, me building a Telecaster from scratch being the main one, but also that I had a lot of different ideas of what to do with this guitar that in the end never happened. This is my 8th Levin, or actually it’s number 9 in the collection since I got my 1951 Levin Royal after. It’s an old worn Goya Model GG-172 from 1970, according to Vintage Guitars Sweden. You can check how old your Levin / Goya is here, Levin serial numbers / Goya serial numbers. It plays very well now after my little restoration and starts to sound better and better, I have a feeling that no one has played this for a very long time. The Goya GG-172 is grand concert sized Levin, the same size as my dad’s old Levin LT-16. They are 38 cm wide just like a Martin 000, they are 15″ which is 38.1 cm. It’s a very nice size to play, slightly smaller than a normal Dreadnought but with decent bass from the solid mahogany back and sides. I bought the guitar via eBay from a pawn shop in Browns Mills, New Jersey, I freaking love the internet. I used the Global Shipping Program which worked fine this time as well, it took 2 weeks just like it did when I bought my Goya 163. I really wished that the Japanese sellers would start with this as well since it was such a mess when I bought my K.Yairi TG-40, it took 40 days to get through customs, with the Global Shipping Program you pay all the import taxes and charges straight away so it just goes straight trough customs without any delays. It’s a really nice little Levin but since I have 9 of them now and actually another on the way, I might have to consider selling it to make some room. If you are interested send me an email to claesgellerbrink@gmail.com

Levin Goya 172 Made in Sweden 1970

Levin Model 172 / Goya Model 172 / Goya GG-172
Grand Concert size: Body width: 380 mm, body length: 480 mm, body depth: 98 mm
Fingerboard width: 43 mm, scale length: 630 mm
Spruce top, mahogany back and sides, 4-ply bound top, single-bound back
Mahogany bolt-on neck with adjustable truss rod
Single-bound rosewood fingerboard with bass side pearloid dot inlay
Rosewood bridge with individual height adjustable plastic saddles
Nickel plated individual Van Gent tuners with metal buttons
Matte natural finish and ten year warranty

Levin Goya 172 Made in Sweden 1970 I started with taking the guitar apart. The neck needed a reset, the pickguard was loose and the previous owner had bolted the bridge to the top. I used a spatula that I heated on a normal clothes iron, worked like a charm.

Levin Goya 172 Made in Sweden 1970 I filled the holes in the bridge and then glued it back. I filed down the heel to get the neck angle correct and get guitar playable again. I re-glued the pickguard and reshaped the top on the saddle screws.

Ian McLagan

Ian McLagan
On of my favourite rock stars, Ian McLagan, past away yesterday. His organ playing was a huge part for me in Small Faces and even more so in The Faces with Ron and Rod. I strongly recommend everyone to read Mac’s book, All The Rage, I enjoyed it way more than both Keith’s and Ron’s biographies.

The new Claescaster

Claescaster, hand built guitar, How to build a Telecaster
I’ve been fairly busy lately building a Telecaster from scratch. I really should have taken more pictures to document the whole journey but I felt that this first one would be more about figuring things out since I’ve never built anything before. The next one will be well documented and hopefully look ten times better than this first rough cut little Telecaster built from some pine that I found in the street. Now I just need to install some frets, hardware and give it a coat of paint. You can follow me on Instagram.

Chest Fever

Araceli and Claes, Chest Fever session, Barcelona 29-04-2012 © Claes Gellerbrink, photographs can't be used without permission

Last Saturday Araceli and I had another gig with Chest Fever. We recently bought a Bill Lawrence A-300 pickup so Araceli could play her favourite little Tanglewood Premier TW133 guitar and I fitted my L.R. Baggs M1 in my 1968 Goya Model 163 and was very pleased with the result. You can listen to the whole gig on Youtube.

Tanglewood TRP-73VSE

Tanglewood Rosewood Grand Reserve TRP-73VSE 2011
Tanglewood Rosewood Grand Reserve TRP-73VSE 2011

Tanglewood Grand Reserve TRP-73VSE, Parlour guitar 2011, 400€ 350€
Araceli and I have decided to put one of our Tanglewood’s up for sale and just keep her favourite Tanglewood Premier TW133. The Tanglewood Grand Reserve TRP-73VSE is a very beautiful and well sounding little parlour, especially plugged in, designed in the UK and hand built in China.  Solid Sitka spruce top and rosewood back and sides this model produces a great rich tone with brilliant resonance for a small bodied guitar especially with the superb onboard B-band A3 pickup system. Other features include quality gold Kluson style machine heads, maple and herringbone binding and a lovely vintage sunburst high gloss finish. TRP-73VSE RRP £399.00

Fender Telecaster Japan TL52-75

Fender Telecaster TL52-75, ’52 re-issue, Made in Japan
Fender Telecaster TL52-75, ’52 re-issue, Made in Japan by FujiGen between 1987-1989

In loving memory of Nancy, my Fender Telecaster TL52-75, that was sold last night. I miss her already but I’m glad she went to a good home. She lives in Zaragoza now with Juan and I’m sure she will get more love than I could ever give her. Two guitars have left me in the same week, I think I’m still in shock, sad but kind of happy at the same time.

Fender Japan TL52-75

 

Westone, Made in Japan

 Westone Stratocaster Made in Japan, Matsumoku 1979
Westone Stratocaster copy, made in Japan by Matsumoku in 1979

This weekend my Westone Stratocaster found a new owner. It felt kind of sad, I don’t normally miss guitars that I sell, well that’s I lie, I have missed all of the guitars I’ve sold but normally not this much. Oh well, I needed to make room for my new Tokai Silver Star SS-36 so it had to go. I have had two Westone guitars, a Strat and a Les Paul copy and I really liked both of them. Westone built Fender and Gibson copies in the late 1970’s before they started on their own heavy metal influenced creations of the 1980’s that owned the brand it’s name. You can read more about the brand Westone here. I have to say that the quality was pretty good for being a less known brand from the Matsumoku factory. I’ve always claimed that FujiGen was better than Matsumoku but I start to think that might have been more about when and not so much where. There was a huge change in Japanese guitars around 1975, not just the quality but perhaps more about how well they managed to copy the big American brands.Therfor a Greco guitar from 1978 would be better built than one from 1972, not just because the first was made by FujiGen but because it was made after 1975. You can read more about in my earlier post, Are all Japanese guitars good? I think what I would miss most of the Westone Strat is the Sen ash body, the wood was amazing and without any doubt the heaviest and most solid Strat I have ever seen with a fantastic sustain. The pickups were pretty great too, not Grey Bobbin pickups like on my Tokai Silver Star SS-36, but still, pretty sweet sounding. The pickups were pretty great in the Westone Les Paul too, maybe there was something special about these late 1970’s Matsumoku built Westone guitars.

Westone Les Paul, Made in Japan, Matsumoku 1970's
Westone Les Paul copy, made in Japan by Matsumoku in 1970’s

Matsumoku
Matsumoku is one of the Japanese manufacturers that did not survive long after the heyday of the 1970’s guitar market despite having a long tradition of quality stringed instrument craftsmanship. Matsumoku produced guitars for major manufacturers Greco, Guyatone and Yamaha. Matsumoku made Arai, Aria, Aria Pro II and Aria Diamond badges, with Aria being their primary badge for a majority of this time frame. Badged guitars known to have been made by Matsumoku include Apollo, Arita, Barclay, Burny, Capri, Columbus, Conrad, Cortez (electrics only), Country, Cutler, Dia, Domino, Electra, Epiphone, Granada, Hi Lo, Howard, Ibanez, Lindberg, Lyle, Luxor, Maxitone (this guitar differs from Tama’s Maxitone badge), Mayfair, Memphis, Montclair, Pan, Pearl (electrics only), Raven, Stewart, Tempo, Univox ,Vantage, Ventura, Vision, Volhox, Washburn (in 1979 and 1980), Westbury, Westminster and Westone. Possible Matsumoku badges include: Bruno, Crestwood, Conqueror, Eros, Mako, Memphis, Orlando and Toledo. Taken from my previous post about Japanese guitar brands